Aladdin and the King of Thieves
1996 · 81 min · Director: Tad Stones
Show plot summary (may contain spoilers)
At long last, Aladdin is about to marry the Princess Jasmine. Despite the presence and encouragement of his friends Genie, Carpet, and Abu, he is fearful and anxious. He is most worried as to what kind of father he will be, having never known his own. But when the 40 Thieves disrupt the wedding trying to steal a magical oracular talisman, Aladdin is drawn into a dangerous quest to stop the thieves...and find his long-lost father.
Emotional fingerprint
Aladdin and the King of Thieves (1996) — Movie. Top emotional signals: Excitement 28%, Love 22%, Humor 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Excitement28%
- Love22%
- Humor20%
- Anxiety15%
- Satisfaction15%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Excitement, Love, Humor. Genres: Comedy, Musical, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Excitement, Love and Humor. Its IMDb rating of 6.3/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 58/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Love
- Tension
- Humor
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Joy
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Tension | Humor |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Joy | 58 % | 22 % | 18 % | 45 % |
| 7.5 % | ≈ 6′ | Humor | 58 % | 29 % | 25 % | 45 % |
| 12.5 % | ≈ 10′ | Humor | 60 % | 24 % | 45 % | 45 % |
| 17.5 % | ≈ 14′ | Tension | 61 % | 18 % | 48 % | 41 % |
| 22.5 % | ≈ 18′ | Sadness | 59 % | 33 % | 29 % | 30 % |
| 27.5 % | ≈ 22′ | Love | 61 % | 40 % | 35 % | 24 % |
| 32.5 % | ≈ 26′ | Tension | 64 % | 26 % | 54 % | 31 % |
| 37.5 % | ≈ 30′ | Humor | 59 % | 15 % | 44 % | 43 % |
| 42.5 % | ≈ 34′ | Humor | 55 % | 20 % | 26 % | 45 % |
| 47.5 % | ≈ 38′ | Love | 58 % | 39 % | 21 % | 41 % |
| 52.5 % | ≈ 43′ | Joy | 61 % | 46 % | 26 % | 39 % |
| 57.5 % | ≈ 47′ | Tension | 63 % | 36 % | 45 % | 35 % |
| 62.5 % | ≈ 51′ | Tension | 63 % | 27 % | 56 % | 34 % |
| 67.5 % | ≈ 55′ | Tension | 59 % | 25 % | 50 % | 34 % |
| 72.5 % | ≈ 59′ | Humor | 56 % | 34 % | 43 % | 33 % |
| 77.5 % | ≈ 63′ | Love | 64 % | 49 % | 48 % | 30 % |
| 82.5 % | ≈ 67′ | Tension | 74 % | 58 % | 64 % | 25 % |
| 87.5 % | ≈ 71′ | Love | 75 % | 59 % | 56 % | 26 % |
| 92.5 % | ≈ 75′ | Joy | 65 % | 44 % | 29 % | 36 % |
| 97.5 % | ≈ 79′ | Humor | 55 % | 23 % | 22 % | 43 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Peddler (voice) (uncredited)
Cassim (singing voice) (uncredited)
Details
- Directed by
- Tad Stones
- Written by
- Mark McCorkle (screenplay by), Bob Schooley (screenplay by), Mark McCorkle, Bob Schooley
- Type
- Animation
- Released
- 1996
- Runtime
- 81 min
- Country
- USA
- Ratings
- Feels mostly
- Excitement
- Data updated
Where to watch
Subscription
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