Annabelle's Wish
1997 · 54 min · Director: Roy Wilson, Roy Wilson
Show plot summary (may contain spoilers)
A mute boy and a calf with the ability to speak form a deep friendship, learning what it means to love and sacrifice for another.
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Emotional fingerprint
Annabelle's Wish (1997) — Movie. Top emotional signals: Love 30%, Sadness 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Love, Sadness, Empathy. Genres: Musical, Adventure, Animation. AI estimate.
Is it worth watching?
Consider this title if you are looking for Love, Sadness and Empathy. Its IMDb rating of 7.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Love
- Hope
- Joy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Joy
Dominant emotion: Love
Dominant emotion: Sadness
Dominant emotion: Hope
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Hope | Joy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 1′ | Joy | 43 % | 32 % | 32 % | 32 % |
| 7.5 % | ≈ 4′ | Love | 43 % | 36 % | 21 % | 24 % |
| 12.5 % | ≈ 7′ | Love | 50 % | 40 % | 18 % | 18 % |
| 17.5 % | ≈ 9′ | Sadness | 61 % | 36 % | 25 % | 23 % |
| 22.5 % | ≈ 12′ | Joy | 63 % | 32 % | 39 % | 40 % |
| 27.5 % | ≈ 15′ | Hope | 56 % | 35 % | 44 % | 45 % |
| 32.5 % | ≈ 18′ | Love | 50 % | 38 % | 29 % | 36 % |
| 37.5 % | ≈ 20′ | Love | 50 % | 39 % | 24 % | 35 % |
| 42.5 % | ≈ 23′ | Joy | 54 % | 44 % | 39 % | 35 % |
| 47.5 % | ≈ 26′ | Hope | 54 % | 39 % | 50 % | 26 % |
| 52.5 % | ≈ 28′ | Hope | 57 % | 35 % | 50 % | 20 % |
| 57.5 % | ≈ 31′ | Love | 68 % | 56 % | 45 % | 28 % |
| 62.5 % | ≈ 34′ | Love | 70 % | 64 % | 35 % | 33 % |
| 67.5 % | ≈ 36′ | Tension | 69 % | 45 % | 26 % | 23 % |
| 72.5 % | ≈ 39′ | Tension | 76 % | 49 % | 39 % | 34 % |
| 77.5 % | ≈ 42′ | Love | 84 % | 75 % | 49 % | 60 % |
| 82.5 % | ≈ 45′ | Love | 79 % | 80 % | 45 % | 51 % |
| 87.5 % | ≈ 47′ | Hope | 75 % | 70 % | 57 % | 45 % |
| 92.5 % | ≈ 50′ | Joy | 82 % | 70 % | 72 % | 67 % |
| 97.5 % | ≈ 53′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Owliver (voice)
Bucky (voice)
Doctor (voice)
Child Billy (voice)
Adult Emily (voice)
Details
- Directed by
- Roy Wilson, Roy Wilson
- Written by
- Dan Henderson (short story), Jane Baer, John Bettis, Ken Blackwell, John Couch, Gary Edwards, Bruce Faulk, Kathy Grover, Riki Hobin, Jay Johnson, Jaime Barton Klein, George Larrimore, John Lewis, Barbara Dunn-Leonard, Sheryl Scarborough, Jay Johnson
- Type
- Animation
- Released
- 1997
- Runtime
- 54 min
- Country
- USA
- Ratings
- Feels mostly
- Love
- Data updated
Where to watch
Data: JustWatch
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