Scooby-Doo in Arabian Nights
1994 · 69 min · Director: Jun Falkenstein, Joanna Romersa
Show plot summary (may contain spoilers)
Scooby and Shaggy tell an Arabic Caliph two stories, the first about Aliyah-din, a young girl aided by two genies played Yogi and Boo-Boo and the second about Sinbad the Sailor played by Magilla Gorilla.
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Emotional fingerprint
Scooby-Doo in Arabian Nights (1994) — Movie. Top emotional signals: Humor 35%, Joy 25%, Surprise 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor35%
- Joy25%
- Surprise20%
- Nostalgia10%
- Excitement10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Joy, Surprise. Genres: Comedy, Animation, Family. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Joy and Surprise. Its IMDb rating of 5.3/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 57/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Tension
- Relief
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Tension | Relief |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 57 % | 57 % | 25 % | 22 % |
| 7.5 % | ≈ 5′ | Humor | 59 % | 59 % | 34 % | 16 % |
| 12.5 % | ≈ 9′ | Humor | 56 % | 50 % | 36 % | 9 % |
| 17.5 % | ≈ 12′ | Curiosity | 51 % | 30 % | 34 % | 3 % |
| 22.5 % | ≈ 16′ | Curiosity | 55 % | 20 % | 45 % | 0 % |
| 27.5 % | ≈ 19′ | Tension | 60 % | 28 % | 51 % | 5 % |
| 32.5 % | ≈ 22′ | Humor | 59 % | 44 % | 45 % | 13 % |
| 37.5 % | ≈ 26′ | Humor | 57 % | 54 % | 40 % | 19 % |
| 42.5 % | ≈ 29′ | Humor | 59 % | 46 % | 41 % | 20 % |
| 47.5 % | ≈ 33′ | Tension | 61 % | 36 % | 53 % | 11 % |
| 52.5 % | ≈ 36′ | Humor | 61 % | 41 % | 54 % | 19 % |
| 57.5 % | ≈ 40′ | Relief | 63 % | 49 % | 40 % | 45 % |
| 62.5 % | ≈ 43′ | Relief | 65 % | 54 % | 26 % | 44 % |
| 67.5 % | ≈ 47′ | Humor | 64 % | 60 % | 23 % | 15 % |
| 72.5 % | ≈ 50′ | Humor | 64 % | 63 % | 30 % | 0 % |
| 77.5 % | ≈ 53′ | Humor | 63 % | 60 % | 32 % | 1 % |
| 82.5 % | ≈ 57′ | Humor | 61 % | 60 % | 30 % | 3 % |
| 87.5 % | ≈ 60′ | Humor | 66 % | 66 % | 32 % | 11 % |
| 92.5 % | ≈ 64′ | Humor | 69 % | 69 % | 35 % | 29 % |
| 97.5 % | ≈ 67′ | Humor | 67 % | 67 % | 35 % | 37 % |
Rags to riches
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Yogi Bear / Royal Chef (voice)
Sinbad / Magilla Gorilla (voice)
Details
- Directed by
- Jun Falkenstein, Joanna Romersa
- Written by
- Glenn Leopold, Gordon Kent
- Type
- Animation
- Released
- 1994
- Runtime
- 69 min
- Country
- United States
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





