Bartok the Magnificent
1999 · 68 min · Director: Don Bluth, Gary Goldman
Show plot summary (may contain spoilers)
Russia is being terrorized by an evil witch known as Baba Yaga; the only one who is not afraid of her is Bartok the Magnificent. Bartok, an albino bat, has just arrived in Moscow and is impressing everyone with his performances, including Prince Ivan Romanov. However, one person is not impressed; Ludmilla finds Bartok annoying and naive. After Bartok's show, a violent bear suddenly attacks. Bartok must save everyone by stunning the bear with dust and then knocks him over and traps him in a wagon.
Emotional fingerprint
Bartok the Magnificent (1999) — Movie. Top emotional signals: Humor 35%, Excitement 25%, Joy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor35%
- Excitement25%
- Joy20%
- Fear10%
- Inspiration10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Excitement, Joy. Genres: Comedy, Musical, Fantasy. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Excitement and Joy. Its IMDb rating of 6.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 60/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Tension
- Relief
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Empathy
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Tension | Relief |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 55 % | 51 % | 30 % | 8 % |
| 7.5 % | ≈ 5′ | Humor | 55 % | 51 % | 31 % | 13 % |
| 12.5 % | ≈ 9′ | Humor | 53 % | 49 % | 37 % | 6 % |
| 17.5 % | ≈ 12′ | Humor | 53 % | 47 % | 34 % | 3 % |
| 22.5 % | ≈ 15′ | Humor | 55 % | 48 % | 29 % | 8 % |
| 27.5 % | ≈ 19′ | Humor | 55 % | 47 % | 38 % | 6 % |
| 32.5 % | ≈ 22′ | Tension | 55 % | 46 % | 44 % | 4 % |
| 37.5 % | ≈ 26′ | Humor | 59 % | 53 % | 36 % | 13 % |
| 42.5 % | ≈ 29′ | Humor | 64 % | 59 % | 37 % | 27 % |
| 47.5 % | ≈ 32′ | Humor | 62 % | 56 % | 45 % | 30 % |
| 52.5 % | ≈ 36′ | Humor | 59 % | 51 % | 40 % | 26 % |
| 57.5 % | ≈ 39′ | Empathy | 57 % | 47 % | 28 % | 27 % |
| 62.5 % | ≈ 43′ | Humor | 61 % | 42 % | 36 % | 21 % |
| 67.5 % | ≈ 46′ | Tension | 71 % | 37 % | 61 % | 8 % |
| 72.5 % | ≈ 49′ | Tension | 76 % | 42 % | 71 % | 3 % |
| 77.5 % | ≈ 53′ | Tension | 77 % | 49 % | 57 % | 24 % |
| 82.5 % | ≈ 56′ | Relief | 80 % | 48 % | 33 % | 55 % |
| 87.5 % | ≈ 60′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 92.5 % | ≈ 63′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 97.5 % | ≈ 66′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Bartok the Magnificent. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Little Girl (voice)
Little Boy (voice)
(singing voice)
Actor
Details
- Directed by
- Don Bluth, Gary Goldman
- Written by
- Jay Lacopo
- Type
- Animation
- Released
- 1999
- Runtime
- 68 min
- Country
- USA
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Rent
Feels similar
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