Cinderella 2: Dreams Come True
2001 · 74 min · Director: John Kafka
Show plot summary (may contain spoilers)
The movie explores Cinderella's "happily ever after" life as a princess in three stories, with help from the Fairy Godmother. First, Cinderella's awkward first days at the palace, when she tried so hard to fit in that she forgot to be herself. Second, how Jaq felt so left out that he wished to be a human. Third, how Cinderella taught one of her nasty stepsisters how to smile which leads to her own true love.
Emotional fingerprint
Cinderella 2: Dreams Come True (2001) — Movie. Top emotional signals: Smile 30%, Humor 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Smile30%
- Humor25%
- Love20%
- Hope15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Smile, Humor, Love. Genres: Romance, Fantasy, Animation. AI estimate.
Is it worth watching?
Consider this title if you are looking for Smile, Humor and Love. Its IMDb rating of 5.0/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 54/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Joy
- Love
- Humor
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Joy
Dominant emotion: Humor
Dominant emotion: Sympathy
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Joy | Love | Humor |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Joy | 40 % | 38 % | 22 % | 18 % |
| 7.5 % | ≈ 6′ | Joy | 39 % | 30 % | 19 % | 21 % |
| 12.5 % | ≈ 9′ | Humor | 40 % | 15 % | 11 % | 29 % |
| 17.5 % | ≈ 13′ | Sympathy | 48 % | 18 % | 9 % | 30 % |
| 22.5 % | ≈ 17′ | Joy | 56 % | 43 % | 13 % | 33 % |
| 27.5 % | ≈ 20′ | Joy | 56 % | 55 % | 19 % | 38 % |
| 32.5 % | ≈ 24′ | Joy | 48 % | 40 % | 20 % | 34 % |
| 37.5 % | ≈ 28′ | Sympathy | 45 % | 28 % | 13 % | 30 % |
| 42.5 % | ≈ 31′ | Sympathy | 46 % | 28 % | 8 % | 31 % |
| 47.5 % | ≈ 35′ | Humor | 44 % | 21 % | 8 % | 35 % |
| 52.5 % | ≈ 39′ | Humor | 48 % | 26 % | 11 % | 38 % |
| 57.5 % | ≈ 43′ | Joy | 49 % | 36 % | 15 % | 36 % |
| 62.5 % | ≈ 46′ | Humor | 41 % | 24 % | 18 % | 33 % |
| 67.5 % | ≈ 50′ | Sympathy | 40 % | 16 % | 28 % | 30 % |
| 72.5 % | ≈ 54′ | Sympathy | 43 % | 25 % | 36 % | 31 % |
| 77.5 % | ≈ 57′ | Love | 43 % | 32 % | 38 % | 33 % |
| 82.5 % | ≈ 61′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 87.5 % | ≈ 65′ | Joy | 62 % | 58 % | 55 % | 10 % |
| 92.5 % | ≈ 68′ | Joy | 58 % | 57 % | 50 % | 10 % |
| 97.5 % | ≈ 72′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Fairy Godmother / Mary Mouse / Beatrice / Daphne / Drizella / Countess Le Grande (voice)
Details
- Directed by
- John Kafka
- Written by
- Jule Selbo (screenplay by), Jill E. Blotevogel (screenplay by), Tom Rogers (screenplay by), Tom Rogers (interstital sequences screenplay by), Tom Rogers, Jill E. Blotevogel, Jule Selbo
- Type
- Animation
- Released
- 2001
- Runtime
- 74 min
- Country
- USA
- Ratings
- Feels mostly
- Smile
- Data updated
Where to watch
Subscription
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