$9.99
2008 · 78 min · Director: Tatia Rosenthal
Show plot summary (may contain spoilers)
A stop-motion animated story about people living in a Sydney apartment complex looking for meaning in their lives.
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Emotional fingerprint
$9.99 (2008) — Movie. Top emotional signals: Melancholy 30%, Empathy 25%, Curiosity 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Melancholy30%
- Empathy25%
- Curiosity20%
- Awe15%
- Joy10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Melancholy, Empathy, Curiosity. Genres: Drama, Fantasy, Animation. AI estimate.
Is it worth watching?
Consider this title if you are looking for Melancholy, Empathy and Curiosity. Its IMDb rating of 6.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 65/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Empathy
- Sadness
- Humor
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Curiosity
Dominant emotion: Humor
Dominant emotion: Empathy
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Empathy | Sadness | Humor |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Tension | 53 % | 35 % | 33 % | 27 % |
| 7.5 % | ≈ 6′ | Tension | 55 % | 31 % | 33 % | 35 % |
| 12.5 % | ≈ 10′ | Curiosity | 53 % | 26 % | 28 % | 43 % |
| 17.5 % | ≈ 14′ | Humor | 51 % | 33 % | 30 % | 44 % |
| 22.5 % | ≈ 18′ | Empathy | 54 % | 43 % | 36 % | 40 % |
| 27.5 % | ≈ 21′ | Curiosity | 54 % | 41 % | 35 % | 40 % |
| 32.5 % | ≈ 25′ | Humor | 53 % | 40 % | 32 % | 43 % |
| 37.5 % | ≈ 29′ | Empathy | 54 % | 40 % | 30 % | 44 % |
| 42.5 % | ≈ 33′ | Curiosity | 53 % | 35 % | 29 % | 44 % |
| 47.5 % | ≈ 37′ | Sadness | 49 % | 38 % | 33 % | 38 % |
| 52.5 % | ≈ 41′ | Empathy | 48 % | 41 % | 31 % | 34 % |
| 57.5 % | ≈ 45′ | Humor | 49 % | 43 % | 28 % | 36 % |
| 62.5 % | ≈ 49′ | Empathy | 53 % | 48 % | 33 % | 36 % |
| 67.5 % | ≈ 53′ | Sadness | 58 % | 48 % | 41 % | 36 % |
| 72.5 % | ≈ 57′ | Tension | 61 % | 49 % | 43 % | 31 % |
| 77.5 % | ≈ 60′ | Empathy | 59 % | 54 % | 36 % | 24 % |
| 82.5 % | ≈ 64′ | Empathy | 60 % | 59 % | 41 % | 26 % |
| 87.5 % | ≈ 68′ | Sadness | 66 % | 55 % | 46 % | 35 % |
| 92.5 % | ≈ 72′ | Humor | 63 % | 38 % | 33 % | 45 % |
| 97.5 % | ≈ 76′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Icarus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Clement (voice)
Zack (voice)
Camille (voice)
n/a
Details
- Directed by
- Tatia Rosenthal
- Written by
- Etgar Keret, Tatia Rosenthal
- Type
- Animation
- Released
- 2008
- Runtime
- 78 min
- Country
- Israel, Australia
- Ratings
- Feels mostly
- Melancholy
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





