WALL·E
2008 · 98 min · Director: Andrew Stanton
Show plot summary (may contain spoilers)
In a distant, but not so unrealistic, future where mankind has abandoned earth because it has become covered with trash from products sold by the powerful multi-national Buy N Large corporation, WALL-E, a garbage collecting robot has been left to clean up the mess. Mesmerized with trinkets of Earth's history and show tunes, WALL-E is alone on Earth except for a sprightly pet cockroach. One day, EVE, a sleek (and dangerous) reconnaissance robot, is sent to Earth to find proof that life is once again sustainable. WALL-E falls in love with EVE. WALL-E rescues EVE from a dust storm and shows her a living plant he found amongst the rubble. Consistent with her "directive", EVE takes the plant and automatically enters a deactivated state except for a blinking green beacon. WALL-E, doesn't understand what has happened to his new friend, but, true to his love, he protects her from wind, rain, and lightning, even as she is unresponsive. One day a massive ship comes to reclaim EVE, but WALL-E, out of love or loneliness, hitches a ride on the outside of the ship to rescue EVE. The ship arrives back at a large space cruise ship, which is carrying all of the humans who evacuated Earth 700 years earlier. The people of Earth ride around this space resort on hovering chairs which give them a constant feed of TV and video chatting. They drink all of their meals through a straw out of laziness and/or bone loss, and are all so fat that they can barely move. When the auto-pilot computer, acting on hastily-given instructions sent many centuries before, tries to prevent the people of Earth from returning by stealing the plant, WALL-E, EVE, the portly captain, and a band of broken robots stage a mutiny.
Emotional fingerprint
WALL·E (2008) — Movie. Top emotional signals: Love 30%, Sadness 25%, Awe 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Love, Sadness, Awe. Genres: Adventure, Animation, Family. AI estimate.
Is it worth watching?
Consider this title if you are looking for Love, Sadness and Awe. Its IMDb rating of 8.4/10 suggests a strong audience reception. For these leading emotions, its Feel Score is 74/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Joy
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Joy
Dominant emotion: Curiosity
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Joy | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Joy | 38 % | 7 % | 33 % | 13 % |
| 7.5 % | ≈ 7′ | Joy | 37 % | 8 % | 32 % | 17 % |
| 12.5 % | ≈ 12′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 17.5 % | ≈ 17′ | Curiosity | 47 % | 27 % | 22 % | 18 % |
| 22.5 % | ≈ 22′ | Love | 54 % | 23 % | 33 % | 40 % |
| 27.5 % | ≈ 27′ | Love | 56 % | 28 % | 33 % | 41 % |
| 32.5 % | ≈ 32′ | Tension | 54 % | 41 % | 16 % | 19 % |
| 37.5 % | ≈ 37′ | Tension | 49 % | 38 % | 13 % | 6 % |
| 42.5 % | ≈ 42′ | Curiosity | 45 % | 19 % | 23 % | 4 % |
| 47.5 % | ≈ 47′ | Curiosity | 48 % | 15 % | 25 % | 4 % |
| 52.5 % | ≈ 51′ | Curiosity | 57 % | 38 % | 16 % | 9 % |
| 57.5 % | ≈ 56′ | Tension | 69 % | 51 % | 20 % | 23 % |
| 62.5 % | ≈ 61′ | Joy | 68 % | 38 % | 35 % | 38 % |
| 67.5 % | ≈ 66′ | Curiosity | 66 % | 43 % | 28 % | 34 % |
| 72.5 % | ≈ 71′ | Tension | 71 % | 63 % | 14 % | 23 % |
| 77.5 % | ≈ 76′ | Tension | 74 % | 70 % | 21 % | 19 % |
| 82.5 % | ≈ 81′ | Tension | 75 % | 73 % | 28 % | 19 % |
| 87.5 % | ≈ 86′ | Tension | 73 % | 54 % | 31 % | 32 % |
| 92.5 % | ≈ 91′ | Joy | 65 % | 20 % | 44 % | 41 % |
| 97.5 % | ≈ 96′ | Joy | 55 % | 3 % | 45 % | 30 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about WALL·E. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Additional Voices (voice)
Details
- Directed by
- Andrew Stanton
- Written by
- Pete Docter, Andrew Stanton, Jim Reardon
- Type
- Animation
- Released
- 2008
- Runtime
- 98 min
- Country
- United States, Japan
- Ratings
- Feels mostly
- Love
- Data updated
Where to watch
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