A Monster in Paris
2011 · 90 min · Director: Bibo Bergeron
Show plot summary (may contain spoilers)
Paris, 1910. Emile, a shy movie projectionist, and Raoul, a colorful inventor, find themselves embarked on the hunt for a monster terrorizing citizens. They join forces with Lucille, the big-hearted star of the Rare Bird cabaret, an eccentric scientist and his irascible monkey to save the monster, who turns out to be an over-sized but harmless flea, from the city's ruthlessly ambitious police chief.
Emotional fingerprint
A Monster in Paris (2011) — Movie. Top emotional signals: Humor 30%, Love 25%, Awe 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor30%
- Love25%
- Awe20%
- Empathy15%
- Excitement10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Love, Awe. Genres: Comedy, Adventure, Animation. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Love and Awe. Its IMDb rating of 6.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 65/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Joy
- Tension
- Humor
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Empathy
Dominant emotion: Joy
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Joy | Tension | Humor |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 43 % | 15 % | 23 % | 40 % |
| 7.5 % | ≈ 7′ | Humor | 48 % | 20 % | 23 % | 45 % |
| 12.5 % | ≈ 11′ | Humor | 50 % | 21 % | 28 % | 44 % |
| 17.5 % | ≈ 16′ | Humor | 49 % | 24 % | 33 % | 39 % |
| 22.5 % | ≈ 20′ | Humor | 46 % | 25 % | 31 % | 39 % |
| 27.5 % | ≈ 25′ | Humor | 45 % | 15 % | 34 % | 39 % |
| 32.5 % | ≈ 29′ | Humor | 48 % | 6 % | 40 % | 33 % |
| 37.5 % | ≈ 34′ | Tension | 55 % | 9 % | 36 % | 21 % |
| 42.5 % | ≈ 38′ | Empathy | 58 % | 21 % | 25 % | 19 % |
| 47.5 % | ≈ 43′ | Joy | 54 % | 36 % | 28 % | 26 % |
| 52.5 % | ≈ 47′ | Joy | 54 % | 36 % | 40 % | 29 % |
| 57.5 % | ≈ 52′ | Tension | 55 % | 25 % | 48 % | 30 % |
| 62.5 % | ≈ 56′ | Tension | 59 % | 20 % | 55 % | 35 % |
| 67.5 % | ≈ 61′ | Tension | 66 % | 15 % | 65 % | 35 % |
| 72.5 % | ≈ 65′ | Tension | 74 % | 10 % | 74 % | 28 % |
| 77.5 % | ≈ 70′ | Tension | 78 % | 14 % | 66 % | 19 % |
| 82.5 % | ≈ 74′ | Sadness | 75 % | 30 % | 38 % | 13 % |
| 87.5 % | ≈ 79′ | Joy | 73 % | 55 % | 15 % | 18 % |
| 92.5 % | ≈ 83′ | Joy | 73 % | 68 % | 10 % | 30 % |
| 97.5 % | ≈ 88′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Francœur (voice)
Emile (voice)
Pâté / Narrator (voice)
Florist / Husband (voice)
Madame Omelette (voice)
Details
- Directed by
- Bibo Bergeron
- Written by
- Bibo Bergeron, Michael J. Wilson, Stéphane Kazandjian
- Type
- Animation
- Released
- 2011
- Runtime
- 90 min
- Country
- France, Belgium
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Free
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More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
