Enter the Anime
2019 · 58 min · Director: Alex Burunova
Show plot summary (may contain spoilers)
It is a documentary aimed at newcomers to anime, and follows anime newbie, Alex Burunova, as she dives into the mysterious world of the genre. The documentary features some of the biggest anime stars like Kenji Kamiyama, Shinji Aramaki, Kozo Morishita, production houses like TOEI Animation and Polygon Pictures and IP like Aggretsuko, Evangelion and Ultraman to give the fans a behind-the-scenes look at the elusive world of anime.
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Emotional fingerprint
Enter the Anime (2019) — Movie. Top emotional signals: Curiosity 30%, Awe 25%, Inspiration 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Curiosity30%
- Awe25%
- Inspiration20%
- Nostalgia15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Curiosity, Awe, Inspiration. Genres: Documentary. AI estimate.
Is it worth watching?
Consider this title if you are looking for Curiosity, Awe and Inspiration. Its IMDb rating of 2.6/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 54/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Curiosity
- Inspiration
- Humor
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Inspiration
Dominant emotion: Humor
Dominant emotion: Joy
Dominant emotion: Empathy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Curiosity | Inspiration | Humor |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 1′ | Curiosity | 50 % | 60 % | 20 % | 28 % |
| 7.5 % | ≈ 4′ | Curiosity | 45 % | 54 % | 25 % | 30 % |
| 12.5 % | ≈ 7′ | Curiosity | 41 % | 48 % | 30 % | 29 % |
| 17.5 % | ≈ 10′ | Inspiration | 38 % | 45 % | 33 % | 20 % |
| 22.5 % | ≈ 13′ | Curiosity | 37 % | 45 % | 30 % | 24 % |
| 27.5 % | ≈ 16′ | Humor | 40 % | 45 % | 28 % | 31 % |
| 32.5 % | ≈ 19′ | Curiosity | 40 % | 45 % | 25 % | 30 % |
| 37.5 % | ≈ 22′ | Humor | 41 % | 43 % | 25 % | 33 % |
| 42.5 % | ≈ 25′ | Curiosity | 43 % | 39 % | 30 % | 29 % |
| 47.5 % | ≈ 28′ | Joy | 43 % | 39 % | 30 % | 24 % |
| 52.5 % | ≈ 30′ | Curiosity | 41 % | 43 % | 26 % | 26 % |
| 57.5 % | ≈ 33′ | Curiosity | 40 % | 45 % | 26 % | 28 % |
| 62.5 % | ≈ 36′ | Curiosity | 44 % | 43 % | 25 % | 35 % |
| 67.5 % | ≈ 39′ | Humor | 46 % | 40 % | 21 % | 41 % |
| 72.5 % | ≈ 42′ | Curiosity | 44 % | 38 % | 21 % | 31 % |
| 77.5 % | ≈ 45′ | Empathy | 41 % | 34 % | 24 % | 18 % |
| 82.5 % | ≈ 48′ | Curiosity | 36 % | 38 % | 25 % | 14 % |
| 87.5 % | ≈ 51′ | Curiosity | 35 % | 41 % | 25 % | 24 % |
| 92.5 % | ≈ 54′ | Humor | 44 % | 34 % | 35 % | 31 % |
| 97.5 % | ≈ 57′ | Inspiration | 53 % | 25 % | 50 % | 27 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Self
Self
Self
Self
Details
- Directed by
- Alex Burunova
- Written by
- Julia Yorks, Meggy Garol, Julia Yorks
- Type
- Animation
- Released
- 2019
- Runtime
- 58 min
- Country
- United States, Japan
- Genres
- Documentary
- Ratings
- Feels mostly
- Curiosity
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





