Child of Kamiari Month
2021 · 100 min · Director: Takana Shirai
Show plot summary (may contain spoilers)
This is a story of a 12-year-old girl, Kanna, born as a descendant of the Gods. Her family has a mission to deliver offerings from all over Japan to the Gods' gathering in Izumo. Although Kanna's mother was to complete the mission, her passing prompted Kanna to finish the task, hoping she could reunite with her dead mother in the Gods' land at the end of her journey.
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Emotional fingerprint
Child of Kamiari Month (2021) — Movie. Top emotional signals: Awe 30%, Sadness 25%, Hope 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Awe, Sadness, Hope. Genres: Drama, Adventure, Animation. AI estimate.
Is it worth watching?
Consider this title if you are looking for Awe, Sadness and Hope. Its IMDb rating of 5.9/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 59/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Empathy
- Hope
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Joy
Dominant emotion: Empathy
Dominant emotion: Sadness
Dominant emotion: Hope
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Empathy | Hope | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Joy | 38 % | 25 % | 12 % | 12 % |
| 7.5 % | ≈ 8′ | Empathy | 38 % | 32 % | 10 % | 23 % |
| 12.5 % | ≈ 13′ | Sadness | 48 % | 45 % | 14 % | 40 % |
| 17.5 % | ≈ 18′ | Sadness | 63 % | 51 % | 29 % | 48 % |
| 22.5 % | ≈ 23′ | Hope | 59 % | 41 % | 44 % | 34 % |
| 27.5 % | ≈ 28′ | Hope | 46 % | 30 % | 40 % | 18 % |
| 32.5 % | ≈ 33′ | Hope | 44 % | 28 % | 32 % | 11 % |
| 37.5 % | ≈ 38′ | Hope | 49 % | 26 % | 33 % | 10 % |
| 42.5 % | ≈ 43′ | Tension | 61 % | 31 % | 35 % | 15 % |
| 47.5 % | ≈ 48′ | Tension | 71 % | 49 % | 43 % | 30 % |
| 52.5 % | ≈ 53′ | Empathy | 69 % | 61 % | 46 % | 44 % |
| 57.5 % | ≈ 58′ | Empathy | 71 % | 66 % | 38 % | 57 % |
| 62.5 % | ≈ 63′ | Sadness | 80 % | 68 % | 26 % | 65 % |
| 67.5 % | ≈ 68′ | Tension | 81 % | 63 % | 20 % | 59 % |
| 72.5 % | ≈ 73′ | Sadness | 83 % | 66 % | 14 % | 65 % |
| 77.5 % | ≈ 78′ | Sadness | 85 % | 71 % | 28 % | 65 % |
| 82.5 % | ≈ 83′ | Hope | 83 % | 66 % | 59 % | 44 % |
| 87.5 % | ≈ 88′ | Hope | 79 % | 63 % | 69 % | 34 % |
| 92.5 % | ≈ 93′ | Joy | 78 % | 63 % | 65 % | 35 % |
| 97.5 % | ≈ 98′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Miki (voice)
Kanna ※early childhood (voice)
Details
- Directed by
- Takana Shirai
- Written by
- Ryûta Miyake, Tetsuro Takita
- Type
- Animation
- Released
- 2021
- Runtime
- 100 min
- Country
- Japan
- Ratings
- Feels mostly
- Awe
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





