feeldb

Gyo: Tokyo Fish Attack

2012 · 70 min · Director: Takayuki Hirao ★ IMDb 5.5 · 2,134 ratings

Show plot summary (may contain spoilers)

The friends Kaori, Erika and Aki are on a vacation to celebrate their upcoming graduation, when suddenly an infestation of mysterious walking fish forces them to reevaluate everything they care about in order to stay alive.

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Emotional fingerprint

Gyo: Tokyo Fish Attack (2012) — Movie. Top emotional signals: Fear 35%, Disturbing 25%, Tension 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Fear35%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Fear, Disturbing, Tension. Genres: Animation, Horror. AI estimate.

Is it worth watching?

Consider this title if you are looking for Fear, Disturbing and Tension. Its IMDb rating of 5.5/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 58/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Disturbing
  • Tension
  • Disgust

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Disgust

Dominant emotion: Tension

Dominant emotion: Disturbing

Dominant emotion: Sadness

Disturbing
Tension
Disgust
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values. Not enough subtitle evidence
Ending hidden

Dominant emotion

Intensity dips around 3 %, then rises around 13 %, then peaks around 83 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityDisturbingTensionDisgust
2.5 %≈ 2′Not enough subtitle evidence27 %13 %18 %15 %
7.5 %≈ 5′Disgust44 %34 %36 %38 %
12.5 %≈ 9′Disgust60 %54 %53 %57 %
17.5 %≈ 12′Disgust65 %51 %60 %50 %
22.5 %≈ 16′Tension64 %35 %63 %26 %
27.5 %≈ 19′Tension63 %30 %63 %15 %
32.5 %≈ 23′Tension66 %44 %64 %26 %
37.5 %≈ 26′Disturbing71 %54 %66 %36 %
42.5 %≈ 30′Tension71 %48 %68 %26 %
47.5 %≈ 33′Tension73 %53 %69 %19 %
52.5 %≈ 37′Tension70 %57 %65 %16 %
57.5 %≈ 40′Tension63 %53 %57 %20 %
62.5 %≈ 44′Disturbing66 %61 %60 %40 %
67.5 %≈ 47′Disturbing78 %74 %63 %51 %
72.5 %≈ 51′Disturbing84 %80 %59 %54 %
77.5 %≈ 54′Disgust86 %85 %64 %66 %
82.5 %≈ 58′Disturbing88 %75 %68 %56 %
87.5 %≈ 61′Sadness83 %54 %54 %29 %
92.5 %≈ 65′Sadness75 %48 %38 %25 %
97.5 %≈ 68′Not enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidence
Riches to rags

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Cast

MK
Mirai Kataoka

TN
Takuma Negishi

AT
Ami Taniguchi

MS
Masami Saeki

HO
Hiroshi Okazaki

Koyanagi (voice)

HA
Hidetaka Abe

Shirakawa (voice)

MK
Mori Kaneko

Ring Master (voice)

Details

Directed by
Takayuki Hirao
Written by
Takayuki Hirao, Junji Ito (manga), Takayuki Hirao (screenplay), Akihiro Yoshida (screenplay), Akihiro Yoshida
Type
Animation
Released
2012
Runtime
70 min
Country
Japan
Ratings
★ IMDb 5.5 · 2,134 ratings
Feels mostly
Fear
Data updated

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Emotion overlap shows mood similarity, not a prediction of enjoyment.