Boruto: Naruto the Movie
2015 · 95 min · Director: Toshiyuki Tsuru, Hiroyuki Yamashita
Show plot summary (may contain spoilers)
Boruto Uzumaki is the son of Naruto Uzumaki, the Seventh Hokage of the Hidden Leaf Village. Having heard stories of Naruto's deeds as a hero, Boruto wishes to surpass his father. Following Sarada Uchiha, Boruto meets his father's friend, Sasuke Uchiha, and requests to be trained by him.
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Emotional fingerprint
Boruto: Naruto the Movie (2015) — Movie. Top emotional signals: Excitement 35%, Tension 25%, Joy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Excitement35%
- Tension25%
- Joy20%
- Love10%
- Inspiration10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Excitement, Tension, Joy. Genres: Adventure, Action, Animation. AI estimate.
Is it worth watching?
Consider this title if you are looking for Excitement, Tension and Joy. Its IMDb rating of 7.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 74/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Excitement
- Empathy
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Excitement
Dominant emotion: Sadness
Dominant emotion: Empathy
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Excitement | Empathy | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 43 % | 32 % | 28 % | 25 % |
| 7.5 % | ≈ 7′ | Excitement | 36 % | 25 % | 28 % | 20 % |
| 12.5 % | ≈ 12′ | Humor | 43 % | 16 % | 39 % | 21 % |
| 17.5 % | ≈ 17′ | Sadness | 54 % | 16 % | 49 % | 28 % |
| 22.5 % | ≈ 21′ | Excitement | 49 % | 25 % | 41 % | 27 % |
| 27.5 % | ≈ 26′ | Empathy | 44 % | 32 % | 38 % | 26 % |
| 32.5 % | ≈ 31′ | Excitement | 46 % | 39 % | 34 % | 32 % |
| 37.5 % | ≈ 36′ | Excitement | 50 % | 46 % | 25 % | 40 % |
| 42.5 % | ≈ 40′ | Excitement | 55 % | 46 % | 32 % | 39 % |
| 47.5 % | ≈ 45′ | Empathy | 57 % | 43 % | 43 % | 34 % |
| 52.5 % | ≈ 50′ | Excitement | 61 % | 43 % | 41 % | 44 % |
| 57.5 % | ≈ 55′ | Tension | 71 % | 43 % | 44 % | 65 % |
| 62.5 % | ≈ 59′ | Tension | 80 % | 48 % | 53 % | 76 % |
| 67.5 % | ≈ 64′ | Empathy | 81 % | 49 % | 66 % | 68 % |
| 72.5 % | ≈ 69′ | Empathy | 78 % | 49 % | 71 % | 55 % |
| 77.5 % | ≈ 74′ | Excitement | 76 % | 59 % | 59 % | 61 % |
| 82.5 % | ≈ 78′ | Tension | 81 % | 69 % | 52 % | 74 % |
| 87.5 % | ≈ 83′ | Excitement | 81 % | 64 % | 60 % | 60 % |
| 92.5 % | ≈ 88′ | Empathy | 66 % | 40 % | 56 % | 25 % |
| 97.5 % | ≈ 93′ | Humor | 52 % | 23 % | 43 % | 8 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Details
- Directed by
- Toshiyuki Tsuru, Hiroyuki Yamashita
- Written by
- Masashi Kishimoto, Ukyô Kodachi
- Type
- Animation
- Released
- 2015
- Runtime
- 95 min
- Country
- Japan
- Ratings
- Feels mostly
- Excitement
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





