Doraemon Nobita no Takarajima
2018 · 108 min · Director: Kazuaki Imai
Show plot summary (may contain spoilers)
Doraemon, Nobita, Shizuka, Gian, and Suneo set out on an adventure in the Caribbean Sea. Nobita is the captain of a ship and fights his enemies on board. Shizuka gets kidnapped, and a storm impedes their journey. Mini-Dora help Nobita and friends on their journey. When the adventurers finally find the mysterious Treasure Island, they discover it is more than just an ordinary island.
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Emotional fingerprint
Doraemon Nobita no Takarajima (2018) — Movie. Top emotional signals: Excitement 30%, Joy 25%, Surprise 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Excitement30%
- Joy25%
- Surprise15%
- Humor15%
- Relief15%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Excitement, Joy, Surprise. Genres: Comedy, Adventure, Animation. AI estimate.
Is it worth watching?
Consider this title if you are looking for Excitement, Joy and Surprise. Its IMDb rating of 6.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 63/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Excitement
- Tension
- Empathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Excitement
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Empathy
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Excitement | Tension | Empathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Excitement | 60 % | 52 % | 28 % | 5 % |
| 7.5 % | ≈ 8′ | Humor | 57 % | 49 % | 20 % | 5 % |
| 12.5 % | ≈ 14′ | Excitement | 59 % | 54 % | 18 % | 6 % |
| 17.5 % | ≈ 19′ | Excitement | 64 % | 56 % | 35 % | 13 % |
| 22.5 % | ≈ 24′ | Tension | 65 % | 48 % | 54 % | 23 % |
| 27.5 % | ≈ 30′ | Tension | 56 % | 31 % | 50 % | 26 % |
| 32.5 % | ≈ 35′ | Humor | 51 % | 26 % | 39 % | 28 % |
| 37.5 % | ≈ 41′ | Humor | 53 % | 29 % | 26 % | 39 % |
| 42.5 % | ≈ 46′ | Empathy | 57 % | 31 % | 28 % | 43 % |
| 47.5 % | ≈ 51′ | Tension | 63 % | 43 % | 40 % | 34 % |
| 52.5 % | ≈ 57′ | Excitement | 60 % | 44 % | 38 % | 39 % |
| 57.5 % | ≈ 62′ | Sadness | 63 % | 39 % | 45 % | 50 % |
| 62.5 % | ≈ 68′ | Tension | 71 % | 51 % | 63 % | 46 % |
| 67.5 % | ≈ 73′ | Excitement | 74 % | 65 % | 65 % | 31 % |
| 72.5 % | ≈ 78′ | Excitement | 70 % | 56 % | 56 % | 30 % |
| 77.5 % | ≈ 84′ | Empathy | 73 % | 39 % | 56 % | 50 % |
| 82.5 % | ≈ 89′ | Tension | 84 % | 39 % | 74 % | 64 % |
| 87.5 % | ≈ 95′ | Tension | 90 % | 39 % | 68 % | 71 % |
| 92.5 % | ≈ 100′ | Empathy | 80 % | 25 % | 30 % | 71 % |
| 97.5 % | ≈ 105′ | Humor | 63 % | 18 % | 8 % | 57 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Details
- Directed by
- Kazuaki Imai
- Written by
- Fujio F. Fujiko, Sung-bo Shim, Genki Kawamura
- Type
- Animation
- Released
- 2018
- Runtime
- 108 min
- Country
- Japan
- Ratings
- Feels mostly
- Excitement
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





