The Relative Worlds
2019 · 93 min · Director: Yuhei Sakuragi
Show plot summary (may contain spoilers)
Shin has shut his heart ever since his mother died when he was young. His childhood friend Kotori has been looking after him ever since. Now that they are in the third year of high school, and it seems like they can finally move forward, another Shin from another Japan has suddenly appeared in front of them.
Emotional fingerprint
The Relative Worlds (2019) — Movie. Top emotional signals: Sadness 30%, Empathy 25%, Surprise 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Empathy, Surprise. Genres: Drama, Animation, Family. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Empathy and Surprise. Its IMDb rating of 5.8/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 60/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Sadness
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sadness
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Sadness | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Sadness | 58 % | 32 % | 47 % | 33 % |
| 7.5 % | ≈ 7′ | Love | 56 % | 30 % | 41 % | 30 % |
| 12.5 % | ≈ 12′ | Sadness | 64 % | 37 % | 54 % | 22 % |
| 17.5 % | ≈ 16′ | Sadness | 67 % | 50 % | 48 % | 16 % |
| 22.5 % | ≈ 21′ | Tension | 70 % | 64 % | 27 % | 17 % |
| 27.5 % | ≈ 26′ | Tension | 74 % | 69 % | 22 % | 23 % |
| 32.5 % | ≈ 30′ | Relief | 65 % | 55 % | 17 % | 34 % |
| 37.5 % | ≈ 35′ | Love | 58 % | 39 % | 11 % | 40 % |
| 42.5 % | ≈ 40′ | Relief | 57 % | 40 % | 12 % | 33 % |
| 47.5 % | ≈ 44′ | Tension | 65 % | 53 % | 33 % | 33 % |
| 52.5 % | ≈ 49′ | Sadness | 80 % | 70 % | 57 % | 32 % |
| 57.5 % | ≈ 53′ | Tension | 85 % | 78 % | 50 % | 24 % |
| 62.5 % | ≈ 58′ | Tension | 82 % | 77 % | 40 % | 21 % |
| 67.5 % | ≈ 63′ | Tension | 79 % | 69 % | 49 % | 21 % |
| 72.5 % | ≈ 67′ | Sadness | 75 % | 61 % | 50 % | 24 % |
| 77.5 % | ≈ 72′ | Tension | 78 % | 71 % | 37 % | 19 % |
| 82.5 % | ≈ 77′ | Tension | 85 % | 82 % | 37 % | 14 % |
| 87.5 % | ≈ 81′ | Tension | 83 % | 66 % | 47 % | 26 % |
| 92.5 % | ≈ 86′ | Relief | 75 % | 33 % | 42 % | 46 % |
| 97.5 % | ≈ 91′ | Love | 71 % | 13 % | 30 % | 60 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about The Relative Worlds. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Details
- Directed by
- Yuhei Sakuragi
- Written by
- Yuhei Sakuragi
- Type
- Animation
- Released
- 2019
- Runtime
- 93 min
- Country
- Japan
- Ratings
- Feels mostly
- Sadness
- Data updated
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