Luck
2022 · 105 min · Director: Peggy Holmes
Show plot summary (may contain spoilers)
Suddenly finding herself in the never-before-seen Land of Luck, the unluckiest person in the world must unite with the magical creatures there to turn her luck around.
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Emotional fingerprint
Luck (2022) — Movie. Top emotional signals: Joy 32%, Excitement 25%, Empathy 18%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Joy32%
- Excitement25%
- Empathy18%
- Hope15%
- Surprise10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Joy, Excitement, Empathy. Genres: Comedy, Fantasy, Adventure. AI estimate.
Is it worth watching?
Consider this title if you are looking for Joy, Excitement and Empathy. Its IMDb rating of 6.5/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 61/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Joy
- Hope
- Humor
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sadness
Dominant emotion: Joy
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Hope
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Joy | Hope | Humor |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Sadness | 47 % | 27 % | 23 % | 28 % |
| 7.5 % | ≈ 8′ | Sadness | 53 % | 21 % | 28 % | 26 % |
| 12.5 % | ≈ 13′ | Sadness | 59 % | 25 % | 39 % | 24 % |
| 17.5 % | ≈ 18′ | Joy | 56 % | 34 % | 40 % | 34 % |
| 22.5 % | ≈ 24′ | Humor | 53 % | 31 % | 30 % | 46 % |
| 27.5 % | ≈ 29′ | Humor | 54 % | 27 % | 25 % | 49 % |
| 32.5 % | ≈ 34′ | Tension | 55 % | 24 % | 25 % | 41 % |
| 37.5 % | ≈ 39′ | Tension | 54 % | 24 % | 28 % | 31 % |
| 42.5 % | ≈ 45′ | Joy | 53 % | 31 % | 30 % | 29 % |
| 47.5 % | ≈ 50′ | Joy | 55 % | 30 % | 25 % | 35 % |
| 52.5 % | ≈ 55′ | Tension | 55 % | 20 % | 19 % | 40 % |
| 57.5 % | ≈ 60′ | Humor | 50 % | 16 % | 23 % | 35 % |
| 62.5 % | ≈ 66′ | Hope | 53 % | 20 % | 30 % | 26 % |
| 67.5 % | ≈ 71′ | Tension | 65 % | 20 % | 35 % | 19 % |
| 72.5 % | ≈ 76′ | Sadness | 73 % | 21 % | 45 % | 19 % |
| 77.5 % | ≈ 81′ | Hope | 70 % | 35 % | 57 % | 25 % |
| 82.5 % | ≈ 87′ | Hope | 73 % | 55 % | 61 % | 29 % |
| 87.5 % | ≈ 92′ | Joy | 77 % | 69 % | 54 % | 35 % |
| 92.5 % | ≈ 97′ | Joy | 75 % | 70 % | 45 % | 40 % |
| 97.5 % | ≈ 102′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Gael (voice)
Phil the Pig Foreman (voice)
Hazel's Dad / Nosy Cat (voice)
Details
- Directed by
- Peggy Holmes
- Written by
- Jonathan Aibel, Glenn Berger, Kiel Murray, Kiel Murray
- Type
- Animation
- Released
- 2022
- Runtime
- 105 min
- Country
- Spain, United States of America
- Ratings
- Feels mostly
- Joy
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





