Macross: Do You Remember Love?
1984 · 114 min · Director: Shôji Kawamori, Noboru Ishiguro
Show plot summary (may contain spoilers)
It is A.D. 2009 and the human race is caught in a war between giant humanoids, male Zentrans and female Meltrans. Returning from the edge of our solar system after making a space fold, the SDF-1 Macross makes the long journey back to Earth with survivors of South Ataria Island.
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Emotional fingerprint
Macross: Do You Remember Love? (1984) — Movie. Top emotional signals: Excitement 30%, Awe 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Excitement30%
- Awe25%
- Love20%
- Fear15%
- Sadness10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Excitement, Awe, Love. Genres: Action, Animation, War. AI estimate.
Is it worth watching?
Consider this title if you are looking for Excitement, Awe and Love. Its IMDb rating of 7.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 71/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Tension
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Hope
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Tension | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Love | 52 % | 7 % | 48 % | 18 % |
| 7.5 % | ≈ 9′ | Tension | 61 % | 3 % | 58 % | 16 % |
| 12.5 % | ≈ 14′ | Humor | 60 % | 1 % | 46 % | 25 % |
| 17.5 % | ≈ 20′ | Humor | 56 % | 14 % | 29 % | 35 % |
| 22.5 % | ≈ 26′ | Sadness | 56 % | 28 % | 23 % | 38 % |
| 27.5 % | ≈ 31′ | Love | 54 % | 19 % | 26 % | 34 % |
| 32.5 % | ≈ 37′ | Tension | 55 % | 5 % | 44 % | 26 % |
| 37.5 % | ≈ 43′ | Tension | 65 % | 21 % | 60 % | 24 % |
| 42.5 % | ≈ 48′ | Sadness | 80 % | 61 % | 59 % | 24 % |
| 47.5 % | ≈ 54′ | Sadness | 81 % | 77 % | 40 % | 20 % |
| 52.5 % | ≈ 60′ | Sadness | 68 % | 65 % | 23 % | 20 % |
| 57.5 % | ≈ 66′ | Sadness | 63 % | 55 % | 26 % | 21 % |
| 62.5 % | ≈ 71′ | Hope | 66 % | 39 % | 46 % | 16 % |
| 67.5 % | ≈ 77′ | Hope | 65 % | 19 % | 48 % | 16 % |
| 72.5 % | ≈ 83′ | Hope | 66 % | 21 % | 40 % | 36 % |
| 77.5 % | ≈ 88′ | Love | 78 % | 40 % | 60 % | 50 % |
| 82.5 % | ≈ 94′ | Tension | 86 % | 46 % | 75 % | 45 % |
| 87.5 % | ≈ 100′ | Hope | 85 % | 29 % | 57 % | 54 % |
| 92.5 % | ≈ 105′ | Hope | 76 % | 19 % | 30 % | 64 % |
| 97.5 % | ≈ 111′ | Love | 67 % | 28 % | 13 % | 62 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Bruno J. Global (voice)
Golg BoddoleZer (voice)
Vanessa Laird (voice)
Details
- Directed by
- Shôji Kawamori, Noboru Ishiguro
- Written by
- Sukehiro Tomita, Shôji Kawamori, Sukehiro Tomita
- Type
- Animation
- Released
- 1984
- Runtime
- 114 min
- Country
- Japan
- Ratings
- Feels mostly
- Excitement
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





