feeldb

The Snow Queen

1957 · 61 min · Director: Lev Atamanov ★ IMDb 7.5 · 3,667 ratings

Show plot summary (may contain spoilers)

When the Snow Queen, a lonely and powerful fairy, kidnaps the human boy Kai, his best friend Gerda must overcome many obstacles on her journey to rescue him.

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Emotional fingerprint

The Snow Queen (1957) — Movie. Top emotional signals: Awe 30%, Empathy 25%, Fear 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

30%Awe
20%Fear
  1. Awe30%
  2. Fear20%
  3. Relief10%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Awe, Empathy, Fear. Genres: Fantasy, Animation, Family. AI estimate.

Is it worth watching?

Consider this title if you are looking for Awe, Empathy and Fear. Its IMDb rating of 7.5/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 71/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Love
  • Hope
  • Relief

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Love

Dominant emotion: Tension

Dominant emotion: Sadness

Dominant emotion: Hope

Dominant emotion: Relief

Love
Hope
Relief
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 3 %, then rises around 13 %, then peaks around 98 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityLoveHopeRelief
2.5 %≈ 2′Love23 %17 %13 %0 %
7.5 %≈ 5′Love36 %31 %19 %0 %
12.5 %≈ 8′Love57 %40 %18 %1 %
17.5 %≈ 11′Tension67 %26 %9 %1 %
22.5 %≈ 14′Sadness69 %18 %5 %1 %
27.5 %≈ 17′Sadness70 %27 %14 %3 %
32.5 %≈ 20′Love65 %33 %27 %7 %
37.5 %≈ 23′Tension63 %31 %35 %12 %
42.5 %≈ 26′Hope61 %28 %46 %18 %
47.5 %≈ 29′Hope58 %23 %49 %15 %
52.5 %≈ 32′Hope63 %24 %41 %14 %
57.5 %≈ 35′Sadness66 %32 %34 %24 %
62.5 %≈ 38′Hope69 %29 %32 %21 %
67.5 %≈ 41′Tension75 %20 %27 %10 %
72.5 %≈ 44′Tension76 %29 %39 %23 %
77.5 %≈ 47′Relief72 %42 %58 %41 %
82.5 %≈ 50′Hope69 %47 %60 %26 %
87.5 %≈ 53′Love76 %63 %61 %24 %
92.5 %≈ 56′Love86 %77 %69 %61 %
97.5 %≈ 59′Relief89 %76 %73 %83 %
Man in a hole

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

VG
Vladimir Gribkov

YZ
Yanina Zheymo

AK
Anna Komolova

MB
Mariya Babanova

GK
Galina Kozhakina

SM
Sergei Martinson

SM
Sergei Martinson

Karraks (voice)

AK
Aleksey Konsovskiy

IM
Irina Murzayeva

VP
Vera Popova

EP
Elena Ponsova

VB
Vera Bendina

Prince (voice)

TL
Tatyana Linnik

Princess (voice)

YG
Yudif Glizer

Old Robber / Laplander (voice)

MS
Mariya Sinelnikova

Finn (voice)

Details

Directed by
Lev Atamanov
Written by
Hans Christian Andersen, Lev Atamanov, Georgiy Grebner, Nikolay Erdman
Type
Animation
Released
1957
Runtime
61 min
Country
Soviet Union
Ratings
★ IMDb 7.5 · 3,667 ratings
Feels mostly
Awe
Data updated

Where to watch

Data: JustWatch

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Emotion overlap shows mood similarity, not a prediction of enjoyment.