Lines: Vertical
1960 · 6 min · Director: Norman McLaren, Evelyn Lambart
Show plot summary (may contain spoilers)
An experiment in pure design by film artists Norman McLaren and Evelyn Lambart. Lines, ruled directly on film, move with precision and grace against a background of changing colors, in response to music specially composed for the films.
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Emotional fingerprint
Lines: Vertical (1960) — Movie. Top emotional signals: Awe 40%, Joy 20%, Excitement 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Awe40%
- Joy20%
- Excitement15%
- Curiosity15%
- Nostalgia10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Awe, Joy, Excitement. Genres: Animation. AI estimate.
Is it worth watching?
Consider this title if you are looking for Awe, Joy and Excitement. Its IMDb rating of 6.9/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 65/100.
How did it make you feel?
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Pick up to three · 0/3
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Details
- Directed by
- Norman McLaren, Evelyn Lambart
- Type
- Animation
- Released
- 1960
- Runtime
- 6 min
- Country
- Canada
- Genres
- Animation
- Ratings
- Feels mostly
- Awe
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.




