A Troll in Central Park
1994 · 75 min · Director: Don Bluth, Gary Goldman
Show plot summary (may contain spoilers)
A friendly troll with a magic green thumb grows one flower too many for the queen, whose laws require all trolls to be mean ugly and scare humans whenever possible. As a punishment, he is exiled to a world of concrete, where he should live a life of proper trolldom: Manhattan.
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Emotional fingerprint
A Troll in Central Park (1994) — Movie. Top emotional signals: Happiness 30%, Hope 25%, Humor 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Happiness, Hope, Humor. Genres: Fantasy, Animation, Family. AI estimate.
Is it worth watching?
Consider this title if you are looking for Happiness, Hope and Humor. Its IMDb rating of 5.4/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 55/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Joy
- Hope
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Joy
Dominant emotion: Hope
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Joy | Hope |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 45 % | 23 % | 22 % | 3 % |
| 7.5 % | ≈ 6′ | Humor | 53 % | 39 % | 19 % | 6 % |
| 12.5 % | ≈ 9′ | Tension | 60 % | 51 % | 15 % | 9 % |
| 17.5 % | ≈ 13′ | Sadness | 60 % | 45 % | 16 % | 11 % |
| 22.5 % | ≈ 17′ | Sadness | 56 % | 40 % | 19 % | 10 % |
| 27.5 % | ≈ 21′ | Tension | 59 % | 40 % | 32 % | 13 % |
| 32.5 % | ≈ 24′ | Joy | 65 % | 26 % | 53 % | 34 % |
| 37.5 % | ≈ 28′ | Hope | 65 % | 19 % | 50 % | 45 % |
| 42.5 % | ≈ 32′ | Humor | 60 % | 33 % | 31 % | 24 % |
| 47.5 % | ≈ 36′ | Tension | 61 % | 51 % | 29 % | 18 % |
| 52.5 % | ≈ 39′ | Tension | 68 % | 50 % | 45 % | 43 % |
| 57.5 % | ≈ 43′ | Joy | 66 % | 36 % | 46 % | 49 % |
| 62.5 % | ≈ 47′ | Humor | 57 % | 41 % | 23 % | 25 % |
| 67.5 % | ≈ 51′ | Tension | 57 % | 56 % | 6 % | 10 % |
| 72.5 % | ≈ 54′ | Tension | 69 % | 69 % | 4 % | 14 % |
| 77.5 % | ≈ 58′ | Tension | 78 % | 76 % | 10 % | 25 % |
| 82.5 % | ≈ 62′ | Tension | 78 % | 66 % | 20 % | 33 % |
| 87.5 % | ≈ 66′ | Sadness | 73 % | 38 % | 30 % | 40 % |
| 92.5 % | ≈ 69′ | Hope | 72 % | 17 % | 47 % | 57 % |
| 97.5 % | ≈ 73′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Rosie (voice)
Details
- Directed by
- Don Bluth, Gary Goldman
- Written by
- Stu Krieger
- Type
- Animation
- Released
- 1994
- Runtime
- 75 min
- Country
- United States of America, Ireland
- Ratings
- Feels mostly
- Happiness
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





