Fruits Basket -prelude-
2022 · 88 min · Director: Yoshihide Ibata
Show plot summary (may contain spoilers)
Kyoko, who couldn't believe anything in the world and lived a desolate life, meets Katsuya Honda, who has been assigned as an educational trainee. She is at the mercy of Katsuya, who is rude and has a strong habit, and she is gradually attracted to her. However, she is disowned by her parents in the wake of an incident with her bad fellow. It's a punishment that I've been doing as much as I like. Katsuya appears in front of Kyoko who thinks so...
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Emotional fingerprint
Fruits Basket -prelude- (2022) — Movie. Top emotional signals: Sadness 30%, Love 25%, Melancholy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Sadness30%
- Love25%
- Melancholy20%
- Empathy15%
- Hope10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Love, Melancholy. Genres: Drama, Romance, Animation. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Love and Melancholy. Its IMDb rating of 7.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 70/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Love
- Hope
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sadness
Dominant emotion: Love
Dominant emotion: Hope
Dominant emotion: Joy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Love | Hope |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Sadness | 65 % | 58 % | 13 % | 18 % |
| 7.5 % | ≈ 7′ | Sadness | 73 % | 65 % | 19 % | 11 % |
| 12.5 % | ≈ 11′ | Sadness | 80 % | 71 % | 40 % | 11 % |
| 17.5 % | ≈ 15′ | Love | 80 % | 68 % | 55 % | 21 % |
| 22.5 % | ≈ 20′ | Sadness | 79 % | 48 % | 60 % | 41 % |
| 27.5 % | ≈ 24′ | Love | 83 % | 25 % | 74 % | 66 % |
| 32.5 % | ≈ 29′ | Hope | 80 % | 25 % | 76 % | 73 % |
| 37.5 % | ≈ 33′ | Love | 75 % | 45 % | 52 % | 51 % |
| 42.5 % | ≈ 37′ | Sadness | 70 % | 55 % | 29 % | 33 % |
| 47.5 % | ≈ 42′ | Hope | 59 % | 45 % | 31 % | 31 % |
| 52.5 % | ≈ 46′ | Sadness | 56 % | 45 % | 39 % | 34 % |
| 57.5 % | ≈ 51′ | Sadness | 66 % | 56 % | 45 % | 45 % |
| 62.5 % | ≈ 55′ | Love | 75 % | 51 % | 63 % | 60 % |
| 67.5 % | ≈ 59′ | Love | 79 % | 31 % | 76 % | 66 % |
| 72.5 % | ≈ 64′ | Love | 85 % | 36 % | 76 % | 51 % |
| 77.5 % | ≈ 68′ | Sadness | 93 % | 73 % | 63 % | 23 % |
| 82.5 % | ≈ 73′ | Sadness | 93 % | 86 % | 56 % | 28 % |
| 87.5 % | ≈ 77′ | Hope | 83 % | 57 % | 63 % | 51 % |
| 92.5 % | ≈ 81′ | Joy | 63 % | 23 % | 53 % | 48 % |
| 97.5 % | ≈ 86′ | Hope | 45 % | 12 % | 35 % | 37 % |
Rags to riches
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Katsuya's Father (voice)
Woman (voice)
Woman (voice)
Woman (voice)
Kyoko's Father (voice)
Girl (voice)
Teacher (voice)
Clerk (voice)
Details
- Directed by
- Yoshihide Ibata
- Written by
- Taku Kishimoto
- Type
- Animation
- Released
- 2022
- Runtime
- 88 min
- Country
- Japan
- Ratings
- Feels mostly
- Sadness
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





