Saekano the Movie: Finale
2019 · 115 min · Director: Kanta Kamei
Show plot summary (may contain spoilers)
After blessing software announced their first work, Eriri and Utaha leave the group to join popular creator Akane Kosaka in developing a major game called Fields Chronicle. Meanwhile, Tomoya and Megumi join hands with their new members and various other parties to produce their new game. What will become of Eriri and Utaha’s major work? Will the relationship between Tomoya and Megumi change? And what will be the ultimate fate of blessing software’s new game?
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Emotional fingerprint
Saekano the Movie: Finale (2019) — Movie. Top emotional signals: Love 30%, Sadness 25%, Anticipation 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Love30%
- Sadness25%
- Anticipation20%
- Satisfaction15%
- Humor10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Love, Sadness, Anticipation. Genres: Comedy, Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Love, Sadness and Anticipation. Its IMDb rating of 7.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Love
- Relief
- Humor
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion: Relief
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Relief | Humor |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 47 % | 16 % | 7 % | 47 % |
| 7.5 % | ≈ 9′ | Humor | 46 % | 15 % | 4 % | 45 % |
| 12.5 % | ≈ 14′ | Humor | 46 % | 12 % | 5 % | 44 % |
| 17.5 % | ≈ 20′ | Humor | 47 % | 16 % | 8 % | 44 % |
| 22.5 % | ≈ 26′ | Humor | 44 % | 26 % | 8 % | 39 % |
| 27.5 % | ≈ 32′ | Love | 47 % | 39 % | 5 % | 31 % |
| 32.5 % | ≈ 37′ | Love | 56 % | 39 % | 6 % | 22 % |
| 37.5 % | ≈ 43′ | Tension | 59 % | 25 % | 10 % | 16 % |
| 42.5 % | ≈ 49′ | Tension | 59 % | 20 % | 9 % | 13 % |
| 47.5 % | ≈ 55′ | Tension | 59 % | 23 % | 17 % | 16 % |
| 52.5 % | ≈ 60′ | Relief | 52 % | 20 % | 31 % | 27 % |
| 57.5 % | ≈ 66′ | Relief | 46 % | 24 % | 35 % | 32 % |
| 62.5 % | ≈ 72′ | Relief | 51 % | 32 % | 30 % | 31 % |
| 67.5 % | ≈ 78′ | Sadness | 65 % | 48 % | 30 % | 28 % |
| 72.5 % | ≈ 83′ | Love | 71 % | 59 % | 38 % | 30 % |
| 77.5 % | ≈ 89′ | Humor | 64 % | 50 % | 34 % | 31 % |
| 82.5 % | ≈ 95′ | Sadness | 65 % | 51 % | 34 % | 23 % |
| 87.5 % | ≈ 101′ | Love | 68 % | 53 % | 40 % | 30 % |
| 92.5 % | ≈ 106′ | Humor | 67 % | 39 % | 46 % | 50 % |
| 97.5 % | ≈ 112′ | Relief | 68 % | 35 % | 57 % | 57 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Cast
Tokino Himekawa (voice)
Yakiniku Restaurant Staff (voice)
Yakiniku Restaurant Customer (voice)
Details
- Directed by
- Kanta Kamei
- Written by
- Fumiaki Maruto
- Type
- Animation
- Released
- 2019
- Runtime
- 115 min
- Country
- Japan
- Ratings
- Feels mostly
- Love
- Data updated
Feels similar
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