The Rose of Versailles
2025 · 113 min · Director: Ai Yoshimura
Show plot summary (may contain spoilers)
In an age of revolution, Marie Antoinette and her protector Oscar François de Jarjayes face tough choices as women growing into their distinct roles.
Emotional fingerprint
The Rose of Versailles (2025) — Movie. Top emotional signals: Empathy 30%, Sadness 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Sadness, Love. Genres: Drama, Romance, History. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Sadness and Love. Its IMDb rating of 5.8/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 60/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Empathy
- Sadness
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Hope
Dominant emotion: Tension
Dominant emotion: Love
Dominant emotion: Empathy
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Empathy | Sadness | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Hope | 41 % | 17 % | 7 % | 21 % |
| 7.5 % | ≈ 8′ | Hope | 45 % | 24 % | 16 % | 26 % |
| 12.5 % | ≈ 14′ | Tension | 54 % | 34 % | 25 % | 24 % |
| 17.5 % | ≈ 20′ | Tension | 55 % | 40 % | 32 % | 24 % |
| 22.5 % | ≈ 25′ | Love | 52 % | 40 % | 37 % | 37 % |
| 27.5 % | ≈ 31′ | Love | 60 % | 43 % | 37 % | 54 % |
| 32.5 % | ≈ 37′ | Love | 70 % | 52 % | 40 % | 67 % |
| 37.5 % | ≈ 42′ | Love | 73 % | 58 % | 50 % | 56 % |
| 42.5 % | ≈ 48′ | Tension | 68 % | 54 % | 42 % | 26 % |
| 47.5 % | ≈ 54′ | Hope | 62 % | 50 % | 30 % | 18 % |
| 52.5 % | ≈ 59′ | Empathy | 63 % | 54 % | 40 % | 39 % |
| 57.5 % | ≈ 65′ | Love | 68 % | 60 % | 48 % | 46 % |
| 62.5 % | ≈ 71′ | Empathy | 69 % | 61 % | 40 % | 41 % |
| 67.5 % | ≈ 76′ | Hope | 68 % | 54 % | 31 % | 40 % |
| 72.5 % | ≈ 82′ | Hope | 73 % | 53 % | 29 % | 48 % |
| 77.5 % | ≈ 88′ | Love | 83 % | 63 % | 38 % | 63 % |
| 82.5 % | ≈ 93′ | Tension | 91 % | 75 % | 63 % | 68 % |
| 87.5 % | ≈ 99′ | Sadness | 93 % | 83 % | 84 % | 67 % |
| 92.5 % | ≈ 105′ | Sadness | 86 % | 75 % | 81 % | 54 % |
| 97.5 % | ≈ 110′ | Sadness | 73 % | 58 % | 68 % | 32 % |
Oedipus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about The Rose of Versailles. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Hans Axel von Fersen (voice)
Details
- Directed by
- Ai Yoshimura
- Written by
- Tomoko Konparu
- Type
- Animation
- Released
- 2025
- Runtime
- 113 min
- Country
- JP
- Language
- ja
- Ratings
- Feels mostly
- Empathy
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
