Ariel

Ariel (1988) evokes a complex mix of emotions, characteristic of Aki Kaurismäki's deadpan style. **Humor** is prominent, stemming from the film's understated comedic situations and the protagonist's stoic reactions to absurd misfortunes. This is balanced by significant **Anxiety** and **Empathy** as the audience witnesses Taisto's unjust framing, imprisonment, and perilous escape attempts. Despite the bleak circumstances, **Joy**, **Happiness**, and **Love** emerge through the budding romance and the protagonist's persistent dream of a better life, fueling a strong sense of **Hope** and **Anticipation** for his future. Underlying these are notes of **Sadness** and **Melancholy** reflecting the initial tragedy and the harsh realities faced.