Audience emotional responses are overwhelmingly dominated by **Humor**, **Joy**, and **Happiness**, reflecting the film's primary genre as a slapstick spy parody. The comedic elements, including the introduction of Mini-Me, Dr. Evil's eccentricities, and Austin's quest to regain his 'mojo,' drive constant laughter and amusement. **Excitement** and **Anticipation** are present during the action and adventure sequences, but these are consistently undercut or amplified by comedic absurdity, leading to frequent **Surprise** from unexpected gags and plot twists. **Relief** and **Satisfaction** follow the resolution of comedic conflicts, while a minor sense of **Nostalgia** may arise from the 1960s setting and spy genre tropes.
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