Audience emotional responses for 'The Things We Say, the Things We Do' are primarily driven by the film's core as a Romance and Drama. Love and Happiness are central, reflecting the blossoming, albeit complicated, affair between Daphne and Maxime. This is deeply intertwined with Sadness, Empathy, and Melancholy, stemming from the dramatic implications of the forbidden relationship, the difficult choices faced by the characters, and the potential heartbreak involved. Humor provides lighter, often subtle, moments characteristic of French cinema, while Anxiety and Guilt arise from the clandestine nature of the affair and the impending arrival of the boyfriend. Hope and Anticipation also play significant roles as the audience is drawn into the uncertainty and potential resolution of this complex human connection.
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