Beyond the Hills is a profound drama that elicits a strong sense of **sadness** due to its tragic narrative of a desperate reunion and the ultimate demise of a character caught between two worlds. **Empathy** is high for both Alina, struggling with her past and present poverty, and Voichita, torn between her deep bond and her newfound spiritual devotion. A pervasive **melancholy** underscores the film, reflecting themes of lost love, spiritual conflict, and the harsh realities of life in a rigid environment. As Alina's behavior becomes increasingly erratic and the convent's response escalates, **anxiety** and a sense of the **disturbing** build, culminating in a harrowing and unforgettable climax. **Anger** may arise from the audience towards the perceived inflexibility or actions of the convent, mirroring Alina's own frustration. The film also explores a complex and ultimately tragic **love** between the two women.
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