Dead in a Week Or Your Money Back

As a dark comedy-drama, 'Dead in a Week Or Your Money Back' primarily elicits **Humor** from its absurd premise of a suicide-for-hire contract and the bumbling assassin. This is complemented by significant **Joy** and **Happiness** as the protagonist, William, unexpectedly finds love and a new reason to live. Underlying the comedic elements are strong dramatic feelings of **Sadness** and **Melancholy**, reflecting William's initial despair and the gravity of the situation. **Empathy** is prominent, extended to both William's plight and the assassin Leslie's professional struggles and good heart. The burgeoning **Love** story introduces **Hope** and **Relief**, shifting the emotional landscape from despair to optimism, while maintaining a thread of **Anticipation** and **Anxiety** regarding the unresolved contract.