Good Time is a relentless, high-octane thriller that plunges the audience into a desperate and chaotic urban odyssey. The dominant emotional response is **Anxiety**, driven by Connie's increasingly desperate and reckless attempts to free his brother, creating a constant state of tension and unease. This is closely followed by **Anticipation**, as viewers are kept on edge wondering what disastrous turn Connie's actions will take next. **Fear** is palpable, stemming from the dangerous situations the characters find themselves in and the escalating consequences of their criminal acts. Underlying the frantic pace is a significant sense of **Sadness** and **Empathy**, particularly for Nick's vulnerable state and the tragic trajectory of the brothers' relationship. The film's gritty realism and the grim circumstances also evoke a strong sense of being **Disturbing**, reflecting the dark and desperate nature of the narrative.
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