The audience's emotional response to 'The Little Hours' is primarily dominated by **Humor**, stemming from its outrageous premise of sexually repressed nuns interacting with a 'deaf-mute' handyman, leading to absurd and scandalous comedic situations. Strong feelings of **Joy**, **Love**, and **Happiness** are also central, reflecting the film's romantic genre and the characters' liberation from their tedious lives, finding unexpected connections and fulfillment. **Relief** is present as Massetto finds refuge and the nuns find an outlet for their desires, while **Anticipation**, **Curiosity**, and **Surprise** keep viewers engaged with the unfolding, often shocking, comedic events. **Satisfaction** arises from the humorous resolutions and the characters embracing their desires, with minor elements of **Empathy** for their initial plight and mild **Disgust** or **Anxiety** stemming from the more transgressive comedic elements, all contributing to a lighthearted yet provocative viewing experience.
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