The Pick-up Artist
1987 · 81 min · Director: James Toback
Show plot summary (may contain spoilers)
In New York City, Jack Jericho, an elementary school teacher who lives with and takes care of his ailing grandmother Nellie, is a bit of a scammer, most notably demonstrated by he continually rehearsing his corny pick-up line in front of the mirror. Along with his good looking but slightly broken down vintage red Camaro convertible and his surface charm, Jack scours the streets for women he is attracted to to use his well-rehearsed pick-up line, he asking the important questions, such as marital status of his potential conquests, after the fact if he asks at all, the answers to which he doesn't really care. These pick-ups work a small percentage of the time, which is good enough for him as he collects his conquests' telephone numbers written down on a well-worn piece of paper he carries around with him at all times. Jack eventually uses his pick-up routine on two women he spies at a nightclub associated with who he will learn is mobster Alonzo Scolara. The first is Lulu, Alonzo's dumb blonde girlfriend. The second is nineteen-year-old Randy Jensen, a tour guide at the American Museum of Natural History who lives with her alcoholic father Flash on Coney Island. Primarily through extra shifts at the museum and gambling, Randy is trying to pay off Flash's sizable debt to Alonzo, which is imminently due. Randy is however unwilling to sell her body as Alonzo will forgive part of that debt in return for sleeping with one of his "friends," drug kingpin Fernando Portacarrero who wants her and no one else. Randy is unlike anyone else he's ever managed to pick up, as she has his number down, but does hook up with him for what she considers a one-time only thing if only to escape her problems momentarily. In return, without yet knowing Randy's full story, Jack does whatever he can to help her in his infatuation. What happens between Jack and Randy is affected by Alonzo, who needs to show who's the boss in changing the rules as it suits his whim.
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Emotional fingerprint
The Pick-up Artist (1987) — Movie. Top emotional signals: Humor 30%, Love 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Love, Empathy. Genres: Comedy, Drama, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Love and Empathy. Its IMDb rating of 5.4/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 57/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Humor
- Relief
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Sympathy
Dominant emotion: Love
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Humor | Relief |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 55 % | 3 % | 55 % | 0 % |
| 7.5 % | ≈ 6′ | Humor | 58 % | 20 % | 46 % | 0 % |
| 12.5 % | ≈ 10′ | Tension | 59 % | 44 % | 30 % | 3 % |
| 17.5 % | ≈ 14′ | Tension | 54 % | 41 % | 28 % | 5 % |
| 22.5 % | ≈ 18′ | Sympathy | 51 % | 20 % | 40 % | 3 % |
| 27.5 % | ≈ 22′ | Humor | 53 % | 10 % | 48 % | 0 % |
| 32.5 % | ≈ 26′ | Love | 51 % | 11 % | 46 % | 0 % |
| 37.5 % | ≈ 30′ | Humor | 48 % | 13 % | 45 % | 0 % |
| 42.5 % | ≈ 34′ | Humor | 43 % | 19 % | 40 % | 0 % |
| 47.5 % | ≈ 38′ | Humor | 50 % | 40 % | 28 % | 0 % |
| 52.5 % | ≈ 43′ | Tension | 61 % | 55 % | 20 % | 1 % |
| 57.5 % | ≈ 47′ | Sympathy | 55 % | 48 % | 24 % | 4 % |
| 62.5 % | ≈ 51′ | Tension | 51 % | 45 % | 25 % | 8 % |
| 67.5 % | ≈ 55′ | Tension | 63 % | 59 % | 20 % | 10 % |
| 72.5 % | ≈ 59′ | Tension | 73 % | 70 % | 16 % | 6 % |
| 77.5 % | ≈ 63′ | Sympathy | 74 % | 69 % | 21 % | 16 % |
| 82.5 % | ≈ 67′ | Relief | 75 % | 64 % | 33 % | 48 % |
| 87.5 % | ≈ 71′ | Relief | 73 % | 54 % | 34 % | 54 % |
| 92.5 % | ≈ 75′ | Sympathy | 63 % | 40 % | 28 % | 33 % |
| 97.5 % | ≈ 79′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Cast
Karen
Mike
Details
- Directed by
- James Toback
- Written by
- James Toback
- Type
- Movies
- Released
- 1987
- Runtime
- 81 min
- Country
- United States
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Feels similar
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