Return to Horror High
1987 · 94 min · Director: Bill Froehlich
Show plot summary (may contain spoilers)
A few years ago, a mysterious serial-killer caused panic on Crippen High School. The killer was never caught. A movie company, Cosmic Pictures, has decided to make a feature movie about these events - on location, at the now abandoned school. Since members of cast and crew disappear without a trace, it seems as if history is repeating itself...
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Emotional fingerprint
Return to Horror High (1987) — Movie. Top emotional signals: Humor 28%, Fear 25%, Tension 22%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor28%
- Fear25%
- Tension22%
- Surprise15%
- Disturbing10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Fear, Tension. Genres: Comedy, Horror. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Fear and Tension. Its IMDb rating of 4.5/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 55/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Humor
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Humor
Dominant emotion: Disgust
Dominant emotion: Curiosity
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Humor | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Tension | 58 % | 42 % | 42 % | 40 % |
| 7.5 % | ≈ 7′ | Humor | 55 % | 30 % | 46 % | 35 % |
| 12.5 % | ≈ 12′ | Humor | 52 % | 29 % | 48 % | 33 % |
| 17.5 % | ≈ 16′ | Humor | 56 % | 32 % | 50 % | 30 % |
| 22.5 % | ≈ 21′ | Disgust | 60 % | 35 % | 46 % | 24 % |
| 27.5 % | ≈ 26′ | Disgust | 57 % | 32 % | 41 % | 18 % |
| 32.5 % | ≈ 31′ | Humor | 59 % | 35 % | 43 % | 24 % |
| 37.5 % | ≈ 35′ | Tension | 63 % | 50 % | 40 % | 43 % |
| 42.5 % | ≈ 40′ | Curiosity | 57 % | 46 % | 36 % | 50 % |
| 47.5 % | ≈ 45′ | Curiosity | 50 % | 32 % | 31 % | 41 % |
| 52.5 % | ≈ 49′ | Disgust | 53 % | 39 % | 26 % | 39 % |
| 57.5 % | ≈ 54′ | Tension | 59 % | 49 % | 23 % | 51 % |
| 62.5 % | ≈ 59′ | Curiosity | 64 % | 54 % | 21 % | 59 % |
| 67.5 % | ≈ 63′ | Tension | 71 % | 64 % | 26 % | 53 % |
| 72.5 % | ≈ 68′ | Disgust | 74 % | 70 % | 30 % | 48 % |
| 77.5 % | ≈ 73′ | Tension | 77 % | 74 % | 29 % | 53 % |
| 82.5 % | ≈ 78′ | Tension | 81 % | 79 % | 31 % | 59 % |
| 87.5 % | ≈ 82′ | Tension | 81 % | 71 % | 45 % | 59 % |
| 92.5 % | ≈ 87′ | Humor | 74 % | 51 % | 61 % | 55 % |
| 97.5 % | ≈ 92′ | Humor | 68 % | 38 % | 67 % | 50 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Cast
Steven Blake
Josh Forbes
Chief Deyner
Officer Tyler
Richard Farley
Donny Porter
Esther Molvania
Dillon
Jeanine
Details
- Directed by
- Bill Froehlich
- Written by
- Bill Froehlich, Mark Lisson, Dana Escalante, Greg H. Sims
- Type
- Movies
- Released
- 1987
- Runtime
- 94 min
- Country
- United States
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
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Free
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Availability varies by country
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





