The Phantom of the Opera
1989 · 93 min · Director: Dwight H. Little
Show plot summary (may contain spoilers)
In New York, the Julliard student Christine Day meets her friend Meg in the library where she works and she shows a piece of music from the unknown author Erik Destler that she has found on the shelf. Christine decides to use the music in her audition on the next day for a role in a version of Faust in the New York Opera. During the audition, there is an accident on the stage and Christina faints. She relives her past life in the 19th century in London, when she is an aspirant opera singer and becomes the protégée of the Phantom of the London Opera House. The Phantom is the unknown composer Erik Destler who makes a pact with the devil in order to the world would love his music. In return, the devil destroys his face and tells him that he would never be loved by anyone and would be disfigured forever. After a tragic ending, Christine awakes in the present day and has a great surprise when she is introduced to the producer of the opera.
Emotional fingerprint
The Phantom of the Opera (1989) — Movie. Top emotional signals: Fear 30%, Love 25%, Disturbing 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Fear30%
- Love25%
- Disturbing20%
- Melancholy15%
- Tension10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Fear, Love, Disturbing. Genres: Drama, Horror, Music. AI estimate.
Is it worth watching?
Consider this title if you are looking for Fear, Love and Disturbing. Its IMDb rating of 5.5/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 58/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Fear
- Surprise
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Disturbing
Dominant emotion: Surprise
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Fear | Surprise |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Curiosity | 45 % | 20 % | 9 % | 19 % |
| 7.5 % | ≈ 7′ | Curiosity | 45 % | 27 % | 16 % | 24 % |
| 12.5 % | ≈ 12′ | Curiosity | 50 % | 42 % | 29 % | 28 % |
| 17.5 % | ≈ 16′ | Tension | 53 % | 51 % | 35 % | 25 % |
| 22.5 % | ≈ 21′ | Tension | 55 % | 50 % | 36 % | 28 % |
| 27.5 % | ≈ 26′ | Disturbing | 55 % | 46 % | 34 % | 32 % |
| 32.5 % | ≈ 30′ | Curiosity | 46 % | 38 % | 23 % | 18 % |
| 37.5 % | ≈ 35′ | Disturbing | 47 % | 42 % | 26 % | 14 % |
| 42.5 % | ≈ 40′ | Tension | 56 % | 54 % | 40 % | 23 % |
| 47.5 % | ≈ 44′ | Tension | 55 % | 53 % | 37 % | 24 % |
| 52.5 % | ≈ 49′ | Curiosity | 55 % | 50 % | 33 % | 23 % |
| 57.5 % | ≈ 53′ | Disturbing | 60 % | 55 % | 39 % | 25 % |
| 62.5 % | ≈ 58′ | Tension | 59 % | 57 % | 38 % | 24 % |
| 67.5 % | ≈ 63′ | Tension | 59 % | 59 % | 39 % | 26 % |
| 72.5 % | ≈ 67′ | Tension | 66 % | 66 % | 51 % | 31 % |
| 77.5 % | ≈ 72′ | Tension | 72 % | 72 % | 60 % | 24 % |
| 82.5 % | ≈ 77′ | Tension | 71 % | 68 % | 56 % | 26 % |
| 87.5 % | ≈ 81′ | Surprise | 69 % | 63 % | 50 % | 46 % |
| 92.5 % | ≈ 86′ | Tension | 71 % | 67 % | 54 % | 57 % |
| 97.5 % | ≈ 91′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about The Phantom of the Opera. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
La Carlotta
Davies
Harrison
Meg (London)
Maddie
Roland
Maitre d'
Details
- Directed by
- Dwight H. Little
- Written by
- Gaston Leroux, Gerry O'Hara, Duke Sandefur
- Type
- Movies
- Released
- 1989
- Runtime
- 93 min
- Country
- United States, United Kingdom, Hungary
- Ratings
- Feels mostly
- Fear
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
