Green Card
1990 · 108 min · Director: Peter Weir
Show plot summary (may contain spoilers)
In New York City, American Brontë Parrish and Frenchman Georges Fauré enter into a marriage of convenience, not even meeting until the day of the civil marriage ceremony, introduced by their mutual friend Anton who arranged the union. Brontë and Georges don't expect to see each other again until they have each gotten what they wanted out of the marriage and are filing for divorce. Aspiring composer Georges has been in the States for five months, has long overstayed his tourist visa, and wants to be a permanent resident to get his green card, and marrying an American will solve that issue. Brontë, a horticulturist, needs to be married to obtain her dream apartment, which contains a geenhouse with a collection of exotic but currently-neglected plans, plus an expansive patio where she can grow plants for her research. Their plans are thrown for a loop when representatives from immigration services make a surprise visit to Brontë's new apartment--supposedly her and Georges' new apartment--in a clampdown on such marriages of convenience which constitute fraud. Brontë's lawyer advises that Georges should move into the apartment until their final hearing with immigration services, during which time they must get to know each other to convince immigration services that their marriage is not just one of convenience. Spending time together might be difficult for both but especially for Brontë as they try to hide their marriage from her friends and family, including her parents with their own idiosyncrasies and her current boyfriend Phil with whom she works. This means keeping them away from the apartment, as the building managers know her only as Mrs. Fauré and not Miss Parrish. But the biggest issue might be overcoming their fundamental differences as humans. They might find that the ultimate end prize is not what would happen after a successful meeting with the immigration representatives.
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Emotional fingerprint
Green Card (1990) — Movie. Top emotional signals: Humor 30%, Love 25%, Smile 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor30%
- Love25%
- Smile20%
- Empathy15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Love, Smile. Genres: Comedy, Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Love and Smile. Its IMDb rating of 6.3/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 65/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Love
- Humor
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Humor | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 38 % | 5 % | 22 % | 7 % |
| 7.5 % | ≈ 8′ | Curiosity | 38 % | 5 % | 24 % | 3 % |
| 12.5 % | ≈ 14′ | Curiosity | 44 % | 5 % | 30 % | 1 % |
| 17.5 % | ≈ 19′ | Tension | 54 % | 5 % | 41 % | 3 % |
| 22.5 % | ≈ 24′ | Humor | 54 % | 5 % | 48 % | 1 % |
| 27.5 % | ≈ 30′ | Humor | 48 % | 9 % | 46 % | 0 % |
| 32.5 % | ≈ 35′ | Humor | 45 % | 15 % | 44 % | 3 % |
| 37.5 % | ≈ 41′ | Humor | 44 % | 15 % | 39 % | 8 % |
| 42.5 % | ≈ 46′ | Humor | 45 % | 13 % | 36 % | 13 % |
| 47.5 % | ≈ 51′ | Humor | 49 % | 19 % | 36 % | 18 % |
| 52.5 % | ≈ 57′ | Love | 49 % | 31 % | 27 % | 19 % |
| 57.5 % | ≈ 62′ | Love | 49 % | 39 % | 24 % | 15 % |
| 62.5 % | ≈ 68′ | Love | 49 % | 40 % | 33 % | 10 % |
| 67.5 % | ≈ 73′ | Love | 50 % | 44 % | 35 % | 8 % |
| 72.5 % | ≈ 78′ | Love | 57 % | 41 % | 35 % | 9 % |
| 77.5 % | ≈ 84′ | Tension | 65 % | 34 % | 35 % | 15 % |
| 82.5 % | ≈ 89′ | Tension | 69 % | 44 % | 21 % | 34 % |
| 87.5 % | ≈ 95′ | Sadness | 74 % | 63 % | 5 % | 59 % |
| 92.5 % | ≈ 100′ | Love | 80 % | 73 % | 0 % | 72 % |
| 97.5 % | ≈ 105′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Icarus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Mrs. Bird
Brontë's Father
Mrs. Adler
Party Guest
Party Guest
Party Guest
Details
- Directed by
- Peter Weir
- Written by
- Peter Weir
- Type
- Movies
- Released
- 1990
- Runtime
- 108 min
- Country
- France, Australia, United States
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Rent
Also on
Availability varies by country
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





