Pretty Woman
1990 · 120 min · Director: Garry Marshall
Show plot summary (may contain spoilers)
Because of his extreme wealth and suave good looks, Edward Lewis could seemingly have any woman he wants, that committed significant other which he needs on his arm at social events to further how he makes his money as a corporate raider. However, he focuses more on his corporate raiding pursuits with his partner in crime, Philip Stuckey, his lawyer of ten years, than those women, with every significant other he's had in his life feeling neglected and eventually leaving him, this fact about which he is just coming to the realization. In Beverly Hills, Edward, in needing that woman on his arms as he and Philip work toward taking over the company owned by the increasingly insolvent James Morse, decides, based on a chance encounter, to hire Hollywood Boulevard hooker Vivian Ward as his escort for the week 24/7. He does so because he wants to have a professional who would be committed to the work, yet not have any commitments to her after the week is over. Beyond their chance encounter, he also makes this decision because she surprises him about how unhookerish she is in certain respects. Vivian, relatively new to Los Angeles and the business, still has to look and act the part, with Edward, beyond giving her money, leaving her largely to her own devices to do so. So she gets a somewhat unlikely Henry Higgins in Barney Thompson, the manager of the Beverly Wilshire Hotel where Edward is staying. Barney has to draw that fine line of keeping the hotel's upscale clients happy, while maintaining the posh decorum of the upper class, which does not include people coming into the hotel looking for rooms with hourly rates. As Barney and his associates are able to transform Vivian into a Cinderella, the questions become whether Vivian can go back to her Hollywood Boulevard life and whether she does have her Prince Charming beyond this week in the form of Edward or anyone else who truly does see her as Cinderella as opposed to a Hollywood Boulevard streetwalker.
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Emotional fingerprint
Pretty Woman (1990) — Movie. Top emotional signals: Love 35%, Humor 25%, Happiness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Love35%
- Humor25%
- Happiness20%
- Satisfaction10%
- Hope10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Love, Humor, Happiness. Genres: Comedy, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Love, Humor and Happiness. Its IMDb rating of 7.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 73/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Love
- Hope
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Hope
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Hope | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 31 % | 0 % | 7 % | 14 % |
| 7.5 % | ≈ 9′ | Humor | 34 % | 3 % | 9 % | 10 % |
| 12.5 % | ≈ 15′ | Humor | 37 % | 8 % | 11 % | 6 % |
| 17.5 % | ≈ 21′ | Humor | 41 % | 13 % | 10 % | 7 % |
| 22.5 % | ≈ 27′ | Humor | 43 % | 19 % | 13 % | 6 % |
| 27.5 % | ≈ 33′ | Love | 43 % | 21 % | 22 % | 10 % |
| 32.5 % | ≈ 39′ | Humor | 44 % | 13 % | 26 % | 19 % |
| 37.5 % | ≈ 45′ | Humor | 44 % | 8 % | 20 % | 22 % |
| 42.5 % | ≈ 51′ | Tension | 44 % | 15 % | 14 % | 25 % |
| 47.5 % | ≈ 57′ | Love | 46 % | 25 % | 18 % | 24 % |
| 52.5 % | ≈ 63′ | Humor | 44 % | 23 % | 22 % | 20 % |
| 57.5 % | ≈ 69′ | Sadness | 47 % | 18 % | 15 % | 28 % |
| 62.5 % | ≈ 75′ | Sadness | 56 % | 23 % | 15 % | 43 % |
| 67.5 % | ≈ 81′ | Sadness | 56 % | 32 % | 25 % | 38 % |
| 72.5 % | ≈ 87′ | Humor | 53 % | 36 % | 25 % | 28 % |
| 77.5 % | ≈ 93′ | Sadness | 56 % | 35 % | 30 % | 32 % |
| 82.5 % | ≈ 99′ | Hope | 62 % | 27 % | 36 % | 33 % |
| 87.5 % | ≈ 105′ | Tension | 69 % | 24 % | 27 % | 42 % |
| 92.5 % | ≈ 111′ | Sadness | 72 % | 40 % | 32 % | 45 % |
| 97.5 % | ≈ 117′ | Love | 73 % | 57 % | 53 % | 27 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
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Cast
Bridget
Susan
Magician
Female Guest
Male Guest
Carlos
Happy Man
Rachel
Bermuda
Details
- Directed by
- Garry Marshall
- Written by
- J.F. Lawton
- Type
- Movies
- Released
- 1990
- Runtime
- 120 min
- Country
- United States
- Ratings
- Feels mostly
- Love
- Data updated
Where to watch
Rent
Also on
Availability varies by country
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





