Vincent & Theo
1990 · 140 min · Director: Robert Altman
Show plot summary (may contain spoilers)
It's the late nineteenth century. Adult Dutch brothers Vincent Van Gogh and Theo Van Gogh, living in Paris, lead differing lives despite having art as a connection. Vincent, who sticks to his principles which includes believing in God but not religion, wants to be a full time painter, living in squalor for his art. Theo, who works in an art gallery, lives for the moment, he selling art which he doesn't much like to lead a comfortable life. One other area of commonality between the brothers is easily succumbing to pleasures of the flesh. Theo does not sell Vincent's art, as he knows it is not in demand. Vincent's view of his brother does not change when he learns it is Theo, and not their father which he had previously thought, who is supporting him. Each brother is a tortured soul - in Vincent's case, it considered in some circles as madness - which affects how each deals with his respective life. Beyond the several sexual relationships each has, some key moments and more extended periods in each their lives over the few years prior to their respective deaths is presented, including: Theo's battle with a bout a syphilis, which affects how and if he can carry on with his sexual relationships; Theo's superiors allowing him to run his own gallery largely on commission, which further pushes him into the realm of selling art he doesn't like to survive; Vincent's period in Provence, where he largely spends with fellow painter Paul Gaugin, one of the few other of his contemporaries he truly admires; and Vincent's infamous self-mutilation of his left ear, leading to Theo's measures to help him over his emotional pain by having him under the care of Dr. Paul Gachet, while dealing with his own turbulent marriage to the former Jo Bonger. That turbulence is largely due to Vincent often being a third in their relationship. This presentation is preceding by showing the acclaim that Vincent is regarded with in current times.
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Emotional fingerprint
Vincent & Theo (1990) — Movie. Top emotional signals: Sadness 35%, Empathy 25%, Melancholy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Sadness35%
- Empathy25%
- Melancholy20%
- Love10%
- Inspiration10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Empathy, Melancholy. Genres: Drama, Biography. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Empathy and Melancholy. Its IMDb rating of 6.9/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 70/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Empathy
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Hope
Dominant emotion: Sadness
Dominant emotion: Empathy
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Empathy | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 4′ | Hope | 37 % | 18 % | 27 % | 18 % |
| 7.5 % | ≈ 11′ | Sadness | 39 % | 23 % | 34 % | 16 % |
| 12.5 % | ≈ 18′ | Hope | 38 % | 16 % | 33 % | 16 % |
| 17.5 % | ≈ 25′ | Hope | 38 % | 18 % | 30 % | 25 % |
| 22.5 % | ≈ 32′ | Sadness | 40 % | 25 % | 34 % | 33 % |
| 27.5 % | ≈ 39′ | Hope | 39 % | 24 % | 35 % | 29 % |
| 32.5 % | ≈ 46′ | Empathy | 40 % | 27 % | 38 % | 28 % |
| 37.5 % | ≈ 53′ | Sadness | 41 % | 29 % | 36 % | 26 % |
| 42.5 % | ≈ 60′ | Hope | 39 % | 19 % | 27 % | 19 % |
| 47.5 % | ≈ 67′ | Hope | 38 % | 11 % | 21 % | 19 % |
| 52.5 % | ≈ 74′ | Tension | 49 % | 18 % | 26 % | 39 % |
| 57.5 % | ≈ 81′ | Tension | 64 % | 23 % | 33 % | 50 % |
| 62.5 % | ≈ 88′ | Hope | 69 % | 29 % | 43 % | 41 % |
| 67.5 % | ≈ 95′ | Empathy | 70 % | 46 % | 59 % | 45 % |
| 72.5 % | ≈ 102′ | Empathy | 59 % | 41 % | 54 % | 40 % |
| 77.5 % | ≈ 109′ | Hope | 48 % | 28 % | 43 % | 29 % |
| 82.5 % | ≈ 116′ | Empathy | 60 % | 46 % | 55 % | 34 % |
| 87.5 % | ≈ 123′ | Sadness | 81 % | 76 % | 76 % | 41 % |
| 92.5 % | ≈ 130′ | Sadness | 90 % | 87 % | 85 % | 50 % |
| 97.5 % | ≈ 137′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
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Cast
Léon Boussod
René Valadon
Anton Mauve
Jet Mauve
Ida
Sien Hoornik
Marie Hoornik
Kee Vos
Emile Bernard
Vos
Uncle Jan
Mme Ginoux
Details
- Directed by
- Robert Altman
- Written by
- Julian Mitchell
- Type
- Movies
- Released
- 1990
- Runtime
- 140 min
- Country
- France, Netherlands, United Kingdom, Germany, Italy, United States
- Ratings
- Feels mostly
- Sadness
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.




