City Slickers
1991 · 114 min · Director: Ron Underwood
Show plot summary (may contain spoilers)
Mitch is a middle aged big-city radio ads salesman. He and his friends Ed and Phil are having mid-life crisis. They decide the best birthday gift is to go on a two week holiday in the wild west driving cattle from New Mexico to Colorado. There they meet cowboy Curly who not only teaches them how to become real cowboys, but also one or two other things about life in the open air of the west.
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Emotional fingerprint
City Slickers (1991) — Movie. Top emotional signals: Humor 35%, Empathy 25%, Inspiration 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor35%
- Empathy25%
- Inspiration20%
- Nostalgia10%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Empathy, Inspiration. Genres: Comedy, Western. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Empathy and Inspiration. Its IMDb rating of 6.8/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 71/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Joy
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Humor
Dominant emotion: Empathy
Dominant emotion: Joy
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Joy | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 63 % | 50 % | 22 % | 47 % |
| 7.5 % | ≈ 9′ | Humor | 54 % | 48 % | 16 % | 26 % |
| 12.5 % | ≈ 14′ | Humor | 48 % | 45 % | 10 % | 15 % |
| 17.5 % | ≈ 20′ | Humor | 51 % | 48 % | 8 % | 21 % |
| 22.5 % | ≈ 26′ | Humor | 54 % | 49 % | 11 % | 29 % |
| 27.5 % | ≈ 31′ | Humor | 51 % | 48 % | 14 % | 30 % |
| 32.5 % | ≈ 37′ | Humor | 53 % | 50 % | 18 % | 29 % |
| 37.5 % | ≈ 43′ | Humor | 56 % | 51 % | 24 % | 30 % |
| 42.5 % | ≈ 48′ | Tension | 57 % | 49 % | 16 % | 41 % |
| 47.5 % | ≈ 54′ | Humor | 58 % | 40 % | 8 % | 48 % |
| 52.5 % | ≈ 60′ | Empathy | 60 % | 34 % | 20 % | 40 % |
| 57.5 % | ≈ 66′ | Joy | 64 % | 38 % | 34 % | 25 % |
| 62.5 % | ≈ 71′ | Sadness | 64 % | 36 % | 25 % | 21 % |
| 67.5 % | ≈ 77′ | Tension | 64 % | 34 % | 13 % | 41 % |
| 72.5 % | ≈ 83′ | Sadness | 65 % | 38 % | 15 % | 53 % |
| 77.5 % | ≈ 88′ | Humor | 69 % | 39 % | 26 % | 55 % |
| 82.5 % | ≈ 94′ | Tension | 79 % | 33 % | 43 % | 64 % |
| 87.5 % | ≈ 100′ | Joy | 79 % | 29 % | 56 % | 51 % |
| 92.5 % | ≈ 105′ | Joy | 66 % | 34 % | 54 % | 23 % |
| 97.5 % | ≈ 111′ | Joy | 60 % | 40 % | 48 % | 8 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Barbara Robbins
Holly Robbins
T.R.
Arlene Berquist
Details
- Directed by
- Ron Underwood
- Written by
- Lowell Ganz, Babaloo Mandel
- Type
- Movies
- Released
- 1991
- Runtime
- 114 min
- Country
- United States
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





