Hudson Hawk
1991 · 100 min · Director: Michael Lehmann
Show plot summary (may contain spoilers)
Eddie Hawkins, called Hudson Hawk has just been released from ten years of prison and is planning to spend the rest of his life honestly. But then the crazy Mayflower couple blackmail him to steal some of the works of Leonardo da Vinci. If he refuses, they threaten to kill his friend Tommy.
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Emotional fingerprint
Hudson Hawk (1991) — Movie. Top emotional signals: Humor 32%, Smile 25%, Excitement 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor32%
- Smile25%
- Excitement20%
- Surprise13%
- Nostalgia10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Smile, Excitement. Genres: Comedy, Adventure, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Smile and Excitement. Its IMDb rating of 5.7/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 59/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Excitement
- Relief
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Relief
Dominant emotion: Excitement
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Excitement | Relief |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 50 % | 40 % | 18 % | 3 % |
| 7.5 % | ≈ 8′ | Humor | 50 % | 48 % | 16 % | 5 % |
| 12.5 % | ≈ 13′ | Humor | 51 % | 51 % | 21 % | 3 % |
| 17.5 % | ≈ 18′ | Humor | 54 % | 50 % | 31 % | 3 % |
| 22.5 % | ≈ 23′ | Humor | 54 % | 53 % | 30 % | 5 % |
| 27.5 % | ≈ 28′ | Humor | 55 % | 56 % | 30 % | 4 % |
| 32.5 % | ≈ 33′ | Humor | 60 % | 56 % | 35 % | 3 % |
| 37.5 % | ≈ 38′ | Humor | 59 % | 51 % | 28 % | 1 % |
| 42.5 % | ≈ 43′ | Curiosity | 51 % | 46 % | 19 % | 0 % |
| 47.5 % | ≈ 48′ | Humor | 49 % | 49 % | 15 % | 1 % |
| 52.5 % | ≈ 53′ | Humor | 53 % | 54 % | 15 % | 3 % |
| 57.5 % | ≈ 58′ | Humor | 58 % | 53 % | 21 % | 1 % |
| 62.5 % | ≈ 63′ | Tension | 65 % | 46 % | 29 % | 0 % |
| 67.5 % | ≈ 68′ | Tension | 70 % | 45 % | 34 % | 15 % |
| 72.5 % | ≈ 73′ | Relief | 69 % | 54 % | 39 % | 31 % |
| 77.5 % | ≈ 78′ | Humor | 68 % | 61 % | 49 % | 19 % |
| 82.5 % | ≈ 83′ | Humor | 68 % | 61 % | 56 % | 8 % |
| 87.5 % | ≈ 88′ | Excitement | 69 % | 59 % | 60 % | 20 % |
| 92.5 % | ≈ 93′ | Excitement | 69 % | 57 % | 51 % | 44 % |
| 97.5 % | ≈ 98′ | Relief | 67 % | 57 % | 32 % | 62 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Alfred
Gates
Antony Mario
Leonardo Da Vinci
Prison Clerk
Prison Security Guard
Details
- Directed by
- Michael Lehmann
- Written by
- Bruce Willis, Steven E. de Souza, Daniel Waters, Robert Kraft
- Type
- Movies
- Released
- 1991
- Runtime
- 100 min
- Country
- United States
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
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Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





