Impromptu
1991 · 107 min · Director: James Lapine
Show plot summary (may contain spoilers)
1830s Paris. Novelist George Sand (Judy Davis), who is known to be writing her memoirs, is causing a sensation in the literary scene not only for the quality of her writing, but because of her extreme views and manners, including blurring the lines between the sexes - she generally wearing men's clothes - and her non-belief in the sanctity of marriage after having gone through the institution once before, now preferring sexual liaisons outside of her own wedlock, with the marital status of her lovers of no concern to her. She is just coming to the end of a turbulent affair with Jean Pierre Félicien Mallefille (Georges Corraface), who she is now trying to avoid in his continual pursuit of her. Despite thinking it will be a bore because of their insufferable hostess, she invites herself to a weekend gathering of some of France's greatest artistic and creative minds - many who are attending solely for a weekend of free food - at the country estate of the Duke (Anton Rodgers) and Duchess D'Antan (Dame Emma Thompson) in Angers. George's want to attend is largely to get away from Mallefille, but also to meet visiting Polish composer Frédéric Chopin (Hugh Grant), who is an acquaintance of her cohabiting friends, Hungarian pianist Franz Liszt (Julian Sands) and Countess Marie D'Agoult (Bernadette Peters). Marie largely acts as George's confidante. George has fallen in love with Chopin through his music, not even yet having met the man. George spends the weekend and beyond pursuing the sensitive and somewhat sickly Chopin, her conquest of him which may be difficult due to their fundamental differences. That conquest is made even more difficult by other guests of the Duke and Duchess: Mallefille; writer Alfred De Musset (Mandy Patinkin), another of George's former lovers; two hellions also known as her adolescent children, onto who she has passed her relaxed views of the world; and Marie, who George does not know wants to have a sexual liaison with Chopin behind Liszt's back.
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Emotional fingerprint
Impromptu (1991) — Movie. Top emotional signals: Humor 30%, Love 25%, Excitement 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor30%
- Love25%
- Excitement20%
- Confusion15%
- Anticipation10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Love, Excitement. Genres: Comedy, Music, Biography. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Love and Excitement. Its IMDb rating of 6.8/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Love
- Hope
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion: Sympathy
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Love | Hope |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 47 % | 47 % | 8 % | 5 % |
| 7.5 % | ≈ 8′ | Humor | 48 % | 46 % | 6 % | 5 % |
| 12.5 % | ≈ 13′ | Humor | 52 % | 51 % | 5 % | 5 % |
| 17.5 % | ≈ 19′ | Humor | 55 % | 55 % | 6 % | 5 % |
| 22.5 % | ≈ 24′ | Humor | 54 % | 51 % | 18 % | 10 % |
| 27.5 % | ≈ 29′ | Love | 49 % | 43 % | 33 % | 20 % |
| 32.5 % | ≈ 35′ | Humor | 45 % | 40 % | 34 % | 26 % |
| 37.5 % | ≈ 40′ | Humor | 49 % | 46 % | 29 % | 24 % |
| 42.5 % | ≈ 45′ | Humor | 55 % | 51 % | 23 % | 14 % |
| 47.5 % | ≈ 51′ | Humor | 59 % | 56 % | 13 % | 6 % |
| 52.5 % | ≈ 56′ | Humor | 56 % | 54 % | 9 % | 6 % |
| 57.5 % | ≈ 62′ | Sympathy | 46 % | 40 % | 15 % | 13 % |
| 62.5 % | ≈ 67′ | Humor | 42 % | 34 % | 20 % | 19 % |
| 67.5 % | ≈ 72′ | Humor | 48 % | 34 % | 29 % | 24 % |
| 72.5 % | ≈ 78′ | Love | 56 % | 29 % | 46 % | 34 % |
| 77.5 % | ≈ 83′ | Love | 60 % | 26 % | 49 % | 36 % |
| 82.5 % | ≈ 88′ | Tension | 65 % | 30 % | 46 % | 34 % |
| 87.5 % | ≈ 94′ | Love | 69 % | 31 % | 59 % | 44 % |
| 92.5 % | ≈ 99′ | Love | 65 % | 35 % | 60 % | 51 % |
| 97.5 % | ≈ 104′ | Humor | 58 % | 43 % | 47 % | 47 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Maurice
Didier
Young Aurora
Innkeeper's Wife
Chopin's Valet
Philosopher
Princess
Details
- Directed by
- James Lapine
- Written by
- Sarah Kernochan
- Type
- Movies
- Released
- 1991
- Runtime
- 107 min
- Country
- United States, United Kingdom, France
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
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Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





