Oscar
1991 · 109 min · Director: John Landis
Show plot summary (may contain spoilers)
Angelo "Snaps" Provolone (Sylvester Stallone) made his dying father a promise on his deathbed: he would leave the world of crime and become an honest businessman. Despite having no experience in making money in a legal fashion, Snaps sets about to keep his promise. He is faced with numerous problems: henchmen who know nothing but crime, the Police who are convinced he is hatching a master plan, and Oscar (Jim Mulholland), who just got his daughter pregnant.
Emotional fingerprint
Oscar (1991) — Movie. Top emotional signals: Humor 40%, Smile 25%, Surprise 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor40%
- Smile25%
- Surprise15%
- Excitement10%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Smile, Surprise. Genres: Comedy, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Smile and Surprise. Its IMDb rating of 6.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Surprise
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Surprise
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Surprise | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 52 % | 45 % | 23 % | 13 % |
| 7.5 % | ≈ 8′ | Humor | 48 % | 45 % | 15 % | 8 % |
| 12.5 % | ≈ 14′ | Humor | 46 % | 46 % | 13 % | 8 % |
| 17.5 % | ≈ 19′ | Humor | 51 % | 51 % | 18 % | 9 % |
| 22.5 % | ≈ 25′ | Humor | 55 % | 55 % | 18 % | 8 % |
| 27.5 % | ≈ 30′ | Humor | 53 % | 53 % | 16 % | 9 % |
| 32.5 % | ≈ 35′ | Humor | 51 % | 50 % | 21 % | 11 % |
| 37.5 % | ≈ 41′ | Humor | 56 % | 54 % | 25 % | 13 % |
| 42.5 % | ≈ 46′ | Humor | 61 % | 59 % | 26 % | 10 % |
| 47.5 % | ≈ 52′ | Humor | 64 % | 61 % | 26 % | 6 % |
| 52.5 % | ≈ 57′ | Humor | 64 % | 63 % | 21 % | 10 % |
| 57.5 % | ≈ 63′ | Humor | 61 % | 61 % | 20 % | 15 % |
| 62.5 % | ≈ 68′ | Humor | 59 % | 58 % | 24 % | 16 % |
| 67.5 % | ≈ 74′ | Humor | 53 % | 49 % | 21 % | 21 % |
| 72.5 % | ≈ 79′ | Humor | 51 % | 48 % | 20 % | 21 % |
| 77.5 % | ≈ 84′ | Humor | 60 % | 56 % | 33 % | 21 % |
| 82.5 % | ≈ 90′ | Surprise | 64 % | 57 % | 45 % | 31 % |
| 87.5 % | ≈ 95′ | Humor | 60 % | 53 % | 41 % | 31 % |
| 92.5 % | ≈ 101′ | Humor | 58 % | 49 % | 34 % | 26 % |
| 97.5 % | ≈ 106′ | Humor | 58 % | 48 % | 33 % | 33 % |
Rags to riches
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Details
- Directed by
- John Landis
- Written by
- Michael Barrie, Jim Mulholland, Claude Magnier
- Type
- Movies
- Released
- 1991
- Runtime
- 109 min
- Country
- United States
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Rent
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