A Chinese Ghost Story III
1991 · 109 min · Director: Hark Tsui, Siu-Tung Ching, Tony Ching Siu-Tung
Show plot summary (may contain spoilers)
Basically a retread of the first movie, in which the evil Tree Spirit is back with yet another ghost played by Joey Wong. The Swordsman Yen and Leslie Cheung characters are replaced by a Buddhist Abbot and disciple (Tony Leung). Jacky Cheung also pops up again, this time as a money-grabbing swordsman with a neat bag of tricks.
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Emotional fingerprint
A Chinese Ghost Story III (1991) — Movie. Top emotional signals: Excitement 30%, Humor 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Excitement30%
- Humor25%
- Love20%
- Awe15%
- Tension10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Excitement, Humor, Love. Genres: Comedy, Fantasy, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Excitement, Humor and Love. Its IMDb rating of 6.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 67/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Tension
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Tension | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 50 % | 28 % | 45 % | 0 % |
| 7.5 % | ≈ 8′ | Humor | 50 % | 40 % | 38 % | 0 % |
| 12.5 % | ≈ 14′ | Humor | 50 % | 49 % | 32 % | 1 % |
| 17.5 % | ≈ 19′ | Humor | 54 % | 54 % | 35 % | 6 % |
| 22.5 % | ≈ 25′ | Humor | 59 % | 59 % | 35 % | 14 % |
| 27.5 % | ≈ 30′ | Humor | 57 % | 57 % | 31 % | 16 % |
| 32.5 % | ≈ 35′ | Humor | 56 % | 54 % | 32 % | 21 % |
| 37.5 % | ≈ 41′ | Humor | 59 % | 44 % | 34 % | 35 % |
| 42.5 % | ≈ 46′ | Sadness | 61 % | 31 % | 40 % | 35 % |
| 47.5 % | ≈ 52′ | Tension | 64 % | 29 % | 56 % | 25 % |
| 52.5 % | ≈ 57′ | Tension | 64 % | 36 % | 59 % | 20 % |
| 57.5 % | ≈ 63′ | Humor | 63 % | 53 % | 44 % | 18 % |
| 62.5 % | ≈ 68′ | Humor | 63 % | 63 % | 36 % | 20 % |
| 67.5 % | ≈ 74′ | Humor | 63 % | 56 % | 45 % | 23 % |
| 72.5 % | ≈ 79′ | Tension | 66 % | 41 % | 57 % | 26 % |
| 77.5 % | ≈ 84′ | Tension | 69 % | 36 % | 59 % | 31 % |
| 82.5 % | ≈ 90′ | Humor | 69 % | 39 % | 59 % | 33 % |
| 87.5 % | ≈ 95′ | Tension | 76 % | 25 % | 73 % | 35 % |
| 92.5 % | ≈ 101′ | Tension | 81 % | 14 % | 74 % | 45 % |
| 97.5 % | ≈ 106′ | Sadness | 78 % | 18 % | 58 % | 55 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Butterfly
Orchid / Jade
Rascal
Details
- Directed by
- Hark Tsui, Siu-Tung Ching, Tony Ching Siu-Tung
- Written by
- Hark Tsui, Roy Szeto, Tsui Hark, Roy Szeto Wai-Cheuk
- Type
- Movies
- Released
- 1991
- Runtime
- 109 min
- Country
- Hong Kong
- Ratings
- Feels mostly
- Excitement
- Data updated
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More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





