Soapdish
1991 · 97 min · Director: Michael Hoffman
Show plot summary (may contain spoilers)
Celeste Talbert has been the queen of the soaps for over two decades. Montana Moorehead needs to get her out of her way before she can move on and begins her program to get her to leave. She hires an old boyfriend of Celeste to be on the show and has Celeste become a murderer in the script, but each attempt has unforseen consequences.
Emotional fingerprint
Soapdish (1991) — Movie. Top emotional signals: Humor 40%, Smile 25%, Excitement 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor40%
- Smile25%
- Excitement15%
- Love10%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Smile, Excitement. Genres: Comedy, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Smile and Excitement. Its IMDb rating of 6.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Curiosity
- Surprise
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Surprise
Dominant emotion: Joy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Curiosity | Surprise |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 40 % | 35 % | 27 % | 25 % |
| 7.5 % | ≈ 7′ | Humor | 45 % | 41 % | 29 % | 23 % |
| 12.5 % | ≈ 12′ | Humor | 48 % | 45 % | 29 % | 19 % |
| 17.5 % | ≈ 17′ | Humor | 49 % | 46 % | 26 % | 18 % |
| 22.5 % | ≈ 22′ | Humor | 50 % | 49 % | 28 % | 18 % |
| 27.5 % | ≈ 27′ | Humor | 49 % | 46 % | 32 % | 19 % |
| 32.5 % | ≈ 32′ | Humor | 48 % | 43 % | 35 % | 19 % |
| 37.5 % | ≈ 36′ | Humor | 49 % | 45 % | 36 % | 20 % |
| 42.5 % | ≈ 41′ | Humor | 49 % | 45 % | 36 % | 21 % |
| 47.5 % | ≈ 46′ | Humor | 49 % | 45 % | 33 % | 16 % |
| 52.5 % | ≈ 51′ | Humor | 50 % | 48 % | 31 % | 14 % |
| 57.5 % | ≈ 56′ | Humor | 50 % | 43 % | 35 % | 19 % |
| 62.5 % | ≈ 61′ | Tension | 55 % | 40 % | 41 % | 34 % |
| 67.5 % | ≈ 65′ | Surprise | 58 % | 44 % | 41 % | 41 % |
| 72.5 % | ≈ 70′ | Humor | 50 % | 43 % | 31 % | 26 % |
| 77.5 % | ≈ 75′ | Humor | 48 % | 40 % | 29 % | 19 % |
| 82.5 % | ≈ 80′ | Tension | 55 % | 45 % | 38 % | 28 % |
| 87.5 % | ≈ 85′ | Humor | 64 % | 55 % | 44 % | 41 % |
| 92.5 % | ≈ 90′ | Surprise | 63 % | 52 % | 35 % | 44 % |
| 97.5 % | ≈ 95′ | Joy | 53 % | 40 % | 18 % | 28 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Burton White
AD
Receptionist
Actor
Bartender
Details
- Directed by
- Michael Hoffman
- Written by
- Robert Harling, Andrew Bergman
- Type
- Movies
- Released
- 1991
- Runtime
- 97 min
- Country
- United States
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
