feeldb

Death Becomes Her

1992 · 104 min · Director: Robert Zemeckis ★ IMDb 6.7 · 152,945 ratings

Show plot summary (may contain spoilers)

In 1978, on Broadway, the decadent and narcissist actress Madeline Ashton is performing Songbird, based on Tennessee Williams' Sweet Bird of Youth. Then she receives her rival Helen Sharp, who is an aspiring writer, and her fiancee Ernest Menville, who is a plastic surgeon, in her dressing-room. Soon Menville calls off his commitment with Helen and marries Madeline. Seven years later, Helen is obese in a psychiatric hospital and obsessed in seeking revenge on Madeline. In 1992, the marriage of Madeline and Menville is finished and he is no longer a surgeon but an alcoholic caretaker. Out of the blue, they are invited to a party where Helen will release her novel Forever Young and Madeline goes to a beauty shop. The owner gives a business card of the specialist in rejuvenation Lisle Von Rhuman to her. When the envious Madeline sees Helen thin in a perfect shape, she decides to seek out Lisle and buys a potion to become young again. Further, she advises that Madeline must take care of her body. Meanwhile Helen seduces Menville and they plot a scheme to kill Madeline. When Madeline comes home, she has an argument Menville and he pushes her from the staircase. She breaks her neck but becomes a living dead. When Helen arrives at Menville's house expecting that Madeline is dead, she is murdered by Madeline. But she also becomes a living dead and they conclude they need Menville to help them to maintain their bodies. But Menville wants to leave them.

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Emotional fingerprint

Death Becomes Her (1992) — Movie. Top emotional signals: Humor 30%, Surprise 25%, Disturbing 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Humor30%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Humor, Surprise, Disturbing. Genres: Comedy, Fantasy, Horror. AI estimate.

Is it worth watching?

Consider this title if you are looking for Humor, Surprise and Disturbing. Its IMDb rating of 6.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Humor
  • Tension
  • Curiosity

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Humor

Dominant emotion: Sympathy

Dominant emotion: Curiosity

Dominant emotion: Tension

Humor
Tension
Curiosity
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values. Not enough subtitle evidence
Ending hidden

Dominant emotion

Intensity dips around 13 %, then rises around 38 %, then peaks around 48 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityHumorTensionCuriosity
2.5 %≈ 3′Humor43 %40 %17 %20 %
7.5 %≈ 8′Humor41 %33 %25 %25 %
12.5 %≈ 13′Sympathy40 %29 %27 %30 %
17.5 %≈ 18′Curiosity41 %35 %24 %34 %
22.5 %≈ 23′Humor45 %36 %25 %29 %
27.5 %≈ 29′Sympathy49 %28 %28 %28 %
32.5 %≈ 34′Curiosity54 %28 %29 %45 %
37.5 %≈ 39′Curiosity63 %31 %40 %54 %
42.5 %≈ 44′Tension70 %29 %59 %41 %
47.5 %≈ 49′Tension71 %36 %64 %36 %
52.5 %≈ 55′Humor68 %50 %53 %46 %
57.5 %≈ 60′Humor64 %53 %45 %49 %
62.5 %≈ 65′Humor64 %53 %48 %43 %
67.5 %≈ 70′Humor65 %59 %46 %39 %
72.5 %≈ 75′Humor61 %56 %43 %36 %
77.5 %≈ 81′Tension60 %44 %50 %36 %
82.5 %≈ 86′Tension68 %38 %63 %33 %
87.5 %≈ 91′Tension70 %43 %56 %20 %
92.5 %≈ 96′Humor65 %50 %37 %10 %
97.5 %≈ 101′Not enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidence
Man in a hole

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

Isabella Rossellini

Lisle von Rhuman

IO
Ian Ogilvy

Chagall

AS
Adam Storke

Dakota

AR
Alaina Reed Hall

Psychologist

Mary Ellen Trainor

Vivian Adams

WF
William Frankfather

Mr. Franklin

John Ingle

Eulogist

PB
Petrea Burchard

Opening Woman

JJ
Jim Jansen

Second Man

MK
Mimi Kennedy

Second Woman

PT
Paulo Tocha

Landlord

MD
Mark Davenport

Eviction Cop

TM
Thomas Murphy

Eviction Cop

MM
Michael Mills

Police Officer

Details

Directed by
Robert Zemeckis
Type
Movies
Released
1992
Runtime
104 min
Country
United States
Ratings
★ IMDb 6.7 · 152,945 ratings
Feels mostly
Humor
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.