Death Becomes Her
1992 · 104 min · Director: Robert Zemeckis
Show plot summary (may contain spoilers)
In 1978, on Broadway, the decadent and narcissist actress Madeline Ashton is performing Songbird, based on Tennessee Williams' Sweet Bird of Youth. Then she receives her rival Helen Sharp, who is an aspiring writer, and her fiancee Ernest Menville, who is a plastic surgeon, in her dressing-room. Soon Menville calls off his commitment with Helen and marries Madeline. Seven years later, Helen is obese in a psychiatric hospital and obsessed in seeking revenge on Madeline. In 1992, the marriage of Madeline and Menville is finished and he is no longer a surgeon but an alcoholic caretaker. Out of the blue, they are invited to a party where Helen will release her novel Forever Young and Madeline goes to a beauty shop. The owner gives a business card of the specialist in rejuvenation Lisle Von Rhuman to her. When the envious Madeline sees Helen thin in a perfect shape, she decides to seek out Lisle and buys a potion to become young again. Further, she advises that Madeline must take care of her body. Meanwhile Helen seduces Menville and they plot a scheme to kill Madeline. When Madeline comes home, she has an argument Menville and he pushes her from the staircase. She breaks her neck but becomes a living dead. When Helen arrives at Menville's house expecting that Madeline is dead, she is murdered by Madeline. But she also becomes a living dead and they conclude they need Menville to help them to maintain their bodies. But Menville wants to leave them.
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Emotional fingerprint
Death Becomes Her (1992) — Movie. Top emotional signals: Humor 30%, Surprise 25%, Disturbing 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor30%
- Surprise25%
- Disturbing20%
- Anxiety15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Surprise, Disturbing. Genres: Comedy, Fantasy, Horror. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Surprise and Disturbing. Its IMDb rating of 6.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Tension
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Sympathy
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Tension | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 43 % | 40 % | 17 % | 20 % |
| 7.5 % | ≈ 8′ | Humor | 41 % | 33 % | 25 % | 25 % |
| 12.5 % | ≈ 13′ | Sympathy | 40 % | 29 % | 27 % | 30 % |
| 17.5 % | ≈ 18′ | Curiosity | 41 % | 35 % | 24 % | 34 % |
| 22.5 % | ≈ 23′ | Humor | 45 % | 36 % | 25 % | 29 % |
| 27.5 % | ≈ 29′ | Sympathy | 49 % | 28 % | 28 % | 28 % |
| 32.5 % | ≈ 34′ | Curiosity | 54 % | 28 % | 29 % | 45 % |
| 37.5 % | ≈ 39′ | Curiosity | 63 % | 31 % | 40 % | 54 % |
| 42.5 % | ≈ 44′ | Tension | 70 % | 29 % | 59 % | 41 % |
| 47.5 % | ≈ 49′ | Tension | 71 % | 36 % | 64 % | 36 % |
| 52.5 % | ≈ 55′ | Humor | 68 % | 50 % | 53 % | 46 % |
| 57.5 % | ≈ 60′ | Humor | 64 % | 53 % | 45 % | 49 % |
| 62.5 % | ≈ 65′ | Humor | 64 % | 53 % | 48 % | 43 % |
| 67.5 % | ≈ 70′ | Humor | 65 % | 59 % | 46 % | 39 % |
| 72.5 % | ≈ 75′ | Humor | 61 % | 56 % | 43 % | 36 % |
| 77.5 % | ≈ 81′ | Tension | 60 % | 44 % | 50 % | 36 % |
| 82.5 % | ≈ 86′ | Tension | 68 % | 38 % | 63 % | 33 % |
| 87.5 % | ≈ 91′ | Tension | 70 % | 43 % | 56 % | 20 % |
| 92.5 % | ≈ 96′ | Humor | 65 % | 50 % | 37 % | 10 % |
| 97.5 % | ≈ 101′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Psychologist
Opening Woman
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Details
- Directed by
- Robert Zemeckis
- Written by
- Martin Donovan, David Koepp
- Type
- Movies
- Released
- 1992
- Runtime
- 104 min
- Country
- United States
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
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