Wuthering Heights
1992 · 105 min · Director: Peter Kosminsky
Show plot summary (may contain spoilers)
Heathcliff is Cathy Earnshaw's foster brother; more than that, he is her other half. When forces within and without tear them apart, Heathcliff wreaks vengeance on those he holds responsible, even into a second generation.
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Emotional fingerprint
Wuthering Heights (1992) — Movie. Top emotional signals: Melancholy 35%, Love 25%, Sadness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Melancholy35%
- Love25%
- Sadness20%
- Anger10%
- Empathy10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Melancholy, Love, Sadness. Genres: Drama, Romance, History. AI estimate.
Is it worth watching?
Consider this title if you are looking for Melancholy, Love and Sadness. Its IMDb rating of 6.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Tension
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Love
Dominant emotion: Sadness
Dominant emotion: Disturbing
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Tension | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 53 % | 3 % | 42 % | 7 % |
| 7.5 % | ≈ 8′ | Curiosity | 54 % | 10 % | 41 % | 20 % |
| 12.5 % | ≈ 13′ | Love | 50 % | 16 % | 33 % | 36 % |
| 17.5 % | ≈ 18′ | Love | 50 % | 24 % | 34 % | 40 % |
| 22.5 % | ≈ 24′ | Sadness | 57 % | 40 % | 41 % | 30 % |
| 27.5 % | ≈ 29′ | Disturbing | 64 % | 50 % | 44 % | 29 % |
| 32.5 % | ≈ 34′ | Love | 66 % | 54 % | 45 % | 45 % |
| 37.5 % | ≈ 39′ | Sadness | 68 % | 52 % | 46 % | 53 % |
| 42.5 % | ≈ 45′ | Love | 65 % | 38 % | 54 % | 40 % |
| 47.5 % | ≈ 50′ | Tension | 66 % | 36 % | 63 % | 24 % |
| 52.5 % | ≈ 55′ | Sadness | 76 % | 60 % | 64 % | 30 % |
| 57.5 % | ≈ 60′ | Sadness | 86 % | 81 % | 59 % | 49 % |
| 62.5 % | ≈ 66′ | Sadness | 80 % | 74 % | 51 % | 44 % |
| 67.5 % | ≈ 71′ | Tension | 68 % | 50 % | 55 % | 25 % |
| 72.5 % | ≈ 76′ | Tension | 73 % | 50 % | 68 % | 21 % |
| 77.5 % | ≈ 81′ | Sadness | 78 % | 65 % | 63 % | 25 % |
| 82.5 % | ≈ 87′ | Sadness | 68 % | 59 % | 46 % | 27 % |
| 87.5 % | ≈ 92′ | Love | 60 % | 43 % | 46 % | 33 % |
| 92.5 % | ≈ 97′ | Tension | 64 % | 45 % | 48 % | 32 % |
| 97.5 % | ≈ 102′ | Sadness | 67 % | 55 % | 35 % | 32 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Hareton Earnshaw
Joseph
Mr. Lockwood
Mrs. Linton
Frances Earnshaw
Young Heathcliff
Young Cathy
Hindley Earnshaw (16)
Parson
Details
- Directed by
- Peter Kosminsky
- Written by
- Emily Brontë, Anne Devlin
- Type
- Movies
- Released
- 1992
- Runtime
- 105 min
- Country
- United Kingdom, United States
- Ratings
- Feels mostly
- Melancholy
- Data updated
Where to watch
Rent
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More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





