Hoffa
1992 · 140 min · Director: Danny DeVito
Show plot summary (may contain spoilers)
Jack Nicholson's portrait of Teamsters Union leader Jimmy Hoffa, as seen through the eyes of his friend Bobby Ciaro (Danny DeVito). This film follows Hoffa's struggle to shape America's most influential labor union through his countless battles with the RTA. As he fights for workers' rights, Hoffa locks horns with industry management, organized crime and Attorney General Robert Kennedy. In 1975, four years after serving his prison term, Hoffa disappears, in one of America's most fascinating unsolved crime mysteries.
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Emotional fingerprint
Hoffa (1992) — Movie. Top emotional signals: Anger 30%, Curiosity 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Anger30%
- Curiosity25%
- Anxiety20%
- Envy15%
- Melancholy10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anger, Curiosity, Anxiety. Genres: Drama, Crime, Biography. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anger, Curiosity and Anxiety. Its IMDb rating of 6.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 68/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Sadness
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Curiosity
Dominant emotion: Sadness
Dominant emotion: Humor
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Sadness | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 4′ | Tension | 40 % | 37 % | 17 % | 25 % |
| 7.5 % | ≈ 11′ | Tension | 54 % | 51 % | 24 % | 24 % |
| 12.5 % | ≈ 18′ | Tension | 63 % | 60 % | 26 % | 24 % |
| 17.5 % | ≈ 25′ | Tension | 48 % | 45 % | 14 % | 28 % |
| 22.5 % | ≈ 32′ | Curiosity | 36 % | 34 % | 5 % | 29 % |
| 27.5 % | ≈ 39′ | Tension | 49 % | 46 % | 5 % | 25 % |
| 32.5 % | ≈ 46′ | Tension | 70 % | 65 % | 23 % | 19 % |
| 37.5 % | ≈ 53′ | Sadness | 75 % | 63 % | 51 % | 16 % |
| 42.5 % | ≈ 60′ | Sadness | 59 % | 41 % | 44 % | 23 % |
| 47.5 % | ≈ 67′ | Humor | 46 % | 35 % | 14 % | 29 % |
| 52.5 % | ≈ 74′ | Tension | 46 % | 44 % | 4 % | 30 % |
| 57.5 % | ≈ 81′ | Tension | 52 % | 52 % | 6 % | 32 % |
| 62.5 % | ≈ 88′ | Tension | 59 % | 59 % | 8 % | 36 % |
| 67.5 % | ≈ 95′ | Tension | 56 % | 56 % | 8 % | 38 % |
| 72.5 % | ≈ 102′ | Tension | 51 % | 50 % | 15 % | 35 % |
| 77.5 % | ≈ 109′ | Sadness | 46 % | 41 % | 27 % | 31 % |
| 82.5 % | ≈ 116′ | Sadness | 49 % | 43 % | 31 % | 34 % |
| 87.5 % | ≈ 123′ | Tension | 52 % | 48 % | 23 % | 36 % |
| 92.5 % | ≈ 130′ | Curiosity | 43 % | 37 % | 10 % | 33 % |
| 97.5 % | ≈ 137′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Senate Policeman
Soignee Woman
Kreger Worker
Dock Worker
Details
- Directed by
- Danny DeVito
- Written by
- David Mamet
- Type
- Movies
- Released
- 1992
- Runtime
- 140 min
- Country
- United States
- Ratings
- Feels mostly
- Anger
- Data updated
Where to watch
Rent
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More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





