Home Alone 2: Lost in New York
1992 · 120 min · Director: Chris Columbus
Show plot summary (may contain spoilers)
Kevin McCallister (Macaulay Culkin) is back. But this time he's in New York City with enough cash and credit cards to turn the Big Apple into his own playground. But Kevin won't be alone for long. The notorious Wet Bandits, Harry (Joe Pesci) and Marv (Daniel Stern), still smarting from their last encounter with Kevin, are bound for New York City too, plotting a huge holiday heist. Kevin's ready to welcome them with more battery of booby traps the bumbling bandits will never forget.
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Emotional fingerprint
Home Alone 2: Lost in New York (1992) — Movie. Top emotional signals: Humor 35%, Excitement 25%, Smile 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor35%
- Excitement25%
- Smile20%
- Love10%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Excitement, Smile. Genres: Comedy, Crime, Adventure. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Excitement and Smile. Its IMDb rating of 6.9/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Joy
- Tension
- Humor
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Joy
Dominant emotion: Sadness
Dominant emotion: Empathy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Joy | Tension | Humor |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 37 % | 12 % | 13 % | 33 % |
| 7.5 % | ≈ 9′ | Humor | 41 % | 9 % | 29 % | 29 % |
| 12.5 % | ≈ 15′ | Tension | 48 % | 14 % | 41 % | 28 % |
| 17.5 % | ≈ 21′ | Humor | 48 % | 24 % | 35 % | 35 % |
| 22.5 % | ≈ 27′ | Humor | 46 % | 29 % | 26 % | 43 % |
| 27.5 % | ≈ 33′ | Humor | 48 % | 30 % | 21 % | 45 % |
| 32.5 % | ≈ 39′ | Humor | 44 % | 30 % | 18 % | 39 % |
| 37.5 % | ≈ 45′ | Joy | 44 % | 32 % | 29 % | 28 % |
| 42.5 % | ≈ 51′ | Tension | 54 % | 29 % | 48 % | 28 % |
| 47.5 % | ≈ 57′ | Tension | 60 % | 18 % | 54 % | 31 % |
| 52.5 % | ≈ 63′ | Sadness | 59 % | 15 % | 39 % | 24 % |
| 57.5 % | ≈ 69′ | Empathy | 57 % | 18 % | 24 % | 16 % |
| 62.5 % | ≈ 75′ | Empathy | 58 % | 15 % | 35 % | 18 % |
| 67.5 % | ≈ 81′ | Tension | 57 % | 11 % | 50 % | 29 % |
| 72.5 % | ≈ 87′ | Humor | 58 % | 10 % | 53 % | 40 % |
| 77.5 % | ≈ 93′ | Tension | 61 % | 10 % | 56 % | 44 % |
| 82.5 % | ≈ 99′ | Tension | 69 % | 15 % | 64 % | 40 % |
| 87.5 % | ≈ 105′ | Tension | 74 % | 34 % | 56 % | 29 % |
| 92.5 % | ≈ 111′ | Joy | 73 % | 54 % | 29 % | 28 % |
| 97.5 % | ≈ 117′ | Joy | 68 % | 58 % | 10 % | 35 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Aunt Leslie
Megan
Linnie
Rod
Tracy
Sondra
Details
- Directed by
- Chris Columbus
- Written by
- John Hughes
- Type
- Movies
- Released
- 1992
- Runtime
- 120 min
- Country
- United States
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
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Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





