Wayne's World
1992 · 94 min · Director: Penelope Spheeris
Show plot summary (may contain spoilers)
Wayne is still living at home. He has a world class collection of name tags from jobs he's tried, but he does have his own public access TV show. A local station decides to hire him and his sidekick, Garth, to do their show professionally and Wayne & Garth find that it is no longer the same. Wayne falls for a bass guitarist and uses his and Garth's Video contacts to help her career along, knowing that Ben Oliver, the sleazy advertising guy who is ruining their show will probably take her away from him if they fail.
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Emotional fingerprint
Wayne's World (1992) — Movie. Top emotional signals: Humor 45%, Smile 20%, Joy 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor45%
- Smile20%
- Joy15%
- Love10%
- Excitement10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Smile, Joy. Genres: Comedy, Music. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Smile and Joy. Its IMDb rating of 7.0/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Joy
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Joy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Joy | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 62 % | 60 % | 32 % | 8 % |
| 7.5 % | ≈ 7′ | Humor | 64 % | 61 % | 34 % | 10 % |
| 12.5 % | ≈ 12′ | Humor | 64 % | 61 % | 29 % | 15 % |
| 17.5 % | ≈ 16′ | Humor | 59 % | 56 % | 25 % | 19 % |
| 22.5 % | ≈ 21′ | Humor | 57 % | 55 % | 31 % | 19 % |
| 27.5 % | ≈ 26′ | Humor | 61 % | 57 % | 41 % | 14 % |
| 32.5 % | ≈ 31′ | Humor | 59 % | 55 % | 35 % | 11 % |
| 37.5 % | ≈ 35′ | Humor | 56 % | 55 % | 24 % | 11 % |
| 42.5 % | ≈ 40′ | Humor | 59 % | 59 % | 25 % | 12 % |
| 47.5 % | ≈ 45′ | Humor | 60 % | 60 % | 26 % | 16 % |
| 52.5 % | ≈ 49′ | Humor | 59 % | 57 % | 25 % | 24 % |
| 57.5 % | ≈ 54′ | Humor | 56 % | 51 % | 30 % | 23 % |
| 62.5 % | ≈ 59′ | Joy | 58 % | 51 % | 40 % | 14 % |
| 67.5 % | ≈ 63′ | Humor | 61 % | 57 % | 39 % | 19 % |
| 72.5 % | ≈ 68′ | Humor | 61 % | 54 % | 23 % | 35 % |
| 77.5 % | ≈ 73′ | Humor | 61 % | 48 % | 16 % | 43 % |
| 82.5 % | ≈ 78′ | Humor | 64 % | 50 % | 23 % | 44 % |
| 87.5 % | ≈ 82′ | Humor | 66 % | 53 % | 30 % | 45 % |
| 92.5 % | ≈ 87′ | Humor | 70 % | 54 % | 44 % | 33 % |
| 97.5 % | ≈ 92′ | Joy | 73 % | 55 % | 60 % | 15 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Dreamwoman
Ron Paxton
Frankie Sharp
Details
- Directed by
- Penelope Spheeris
- Written by
- Mike Myers, Bonnie Turner, Terry Turner, Mike Myers
- Type
- Movies
- Released
- 1992
- Runtime
- 94 min
- Country
- United States
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





