Fanfan
1993 · 89 min · Director: Alexandre Jardin
Show plot summary (may contain spoilers)
A hang-up man tries to love in a different way from normal, and finally manages the psychological shadow for love.
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Emotional fingerprint
Fanfan (1993) — Movie. Top emotional signals: Love 35%, Curiosity 25%, Humor 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Love35%
- Curiosity25%
- Humor20%
- Excitement10%
- Hope10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Love, Curiosity, Humor. Genres: Comedy, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Love, Curiosity and Humor. Its IMDb rating of 6.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Love
- Tension
- Empathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion: Empathy
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Tension | Empathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 42 % | 20 % | 15 % | 14 % |
| 7.5 % | ≈ 7′ | Humor | 43 % | 30 % | 15 % | 13 % |
| 12.5 % | ≈ 11′ | Love | 45 % | 31 % | 18 % | 14 % |
| 17.5 % | ≈ 16′ | Humor | 49 % | 28 % | 21 % | 18 % |
| 22.5 % | ≈ 20′ | Love | 50 % | 33 % | 25 % | 23 % |
| 27.5 % | ≈ 24′ | Humor | 51 % | 37 % | 28 % | 22 % |
| 32.5 % | ≈ 29′ | Love | 55 % | 45 % | 28 % | 20 % |
| 37.5 % | ≈ 33′ | Love | 57 % | 43 % | 34 % | 28 % |
| 42.5 % | ≈ 38′ | Tension | 55 % | 28 % | 44 % | 38 % |
| 47.5 % | ≈ 42′ | Empathy | 51 % | 24 % | 43 % | 40 % |
| 52.5 % | ≈ 47′ | Love | 51 % | 25 % | 45 % | 41 % |
| 57.5 % | ≈ 51′ | Tension | 60 % | 23 % | 52 % | 51 % |
| 62.5 % | ≈ 56′ | Sadness | 60 % | 26 % | 48 % | 55 % |
| 67.5 % | ≈ 60′ | Sadness | 55 % | 37 % | 41 % | 48 % |
| 72.5 % | ≈ 65′ | Love | 58 % | 46 % | 42 % | 45 % |
| 77.5 % | ≈ 69′ | Tension | 62 % | 40 % | 49 % | 50 % |
| 82.5 % | ≈ 73′ | Empathy | 69 % | 40 % | 58 % | 60 % |
| 87.5 % | ≈ 78′ | Tension | 78 % | 50 % | 70 % | 67 % |
| 92.5 % | ≈ 82′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 97.5 % | ≈ 87′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Ti
Le père de Fanfan
Le père de Laure
La mère de Fanfan
Le propriétaire
L'avocat
La femme du propriétaire
Franck
Le président
Le vieux monsieur
Details
- Directed by
- Alexandre Jardin
- Written by
- Alexandre Jardin
- Type
- Movies
- Released
- 1993
- Runtime
- 89 min
- Country
- France
- Ratings
- Feels mostly
- Love
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





