Orlando
1992 · 94 min · Director: Sally Potter
Show plot summary (may contain spoilers)
Young nobleman Orlando is commanded by Queen Elizabeth I to stay forever young. Miraculously, he does just that. The film follows him as he moves through several centuries of British history, experiencing a variety of lives and relationships along the way, and even changing sex.
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Emotional fingerprint
Orlando (1992) — Movie. Top emotional signals: Awe 30%, Curiosity 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Awe30%
- Curiosity25%
- Love20%
- Inspiration15%
- Humor10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Awe, Curiosity, Love. Genres: Drama, Fantasy, Biography. AI estimate.
Is it worth watching?
Consider this title if you are looking for Awe, Curiosity and Love. Its IMDb rating of 7.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 71/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Hope
- Humor
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Love
Dominant emotion: Sadness
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Hope
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Hope | Humor | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Love | 28 % | 8 % | 20 % | 18 % |
| 7.5 % | ≈ 7′ | Sadness | 34 % | 8 % | 21 % | 15 % |
| 12.5 % | ≈ 12′ | Sadness | 39 % | 9 % | 28 % | 13 % |
| 17.5 % | ≈ 16′ | Humor | 41 % | 13 % | 34 % | 20 % |
| 22.5 % | ≈ 21′ | Love | 48 % | 19 % | 29 % | 36 % |
| 27.5 % | ≈ 26′ | Love | 53 % | 19 % | 23 % | 36 % |
| 32.5 % | ≈ 31′ | Sadness | 50 % | 10 % | 31 % | 15 % |
| 37.5 % | ≈ 35′ | Humor | 48 % | 6 % | 44 % | 4 % |
| 42.5 % | ≈ 40′ | Humor | 44 % | 13 % | 43 % | 11 % |
| 47.5 % | ≈ 45′ | Humor | 38 % | 16 % | 35 % | 15 % |
| 52.5 % | ≈ 49′ | Humor | 42 % | 10 % | 28 % | 9 % |
| 57.5 % | ≈ 54′ | Tension | 51 % | 10 % | 23 % | 5 % |
| 62.5 % | ≈ 59′ | Humor | 49 % | 14 % | 31 % | 3 % |
| 67.5 % | ≈ 63′ | Humor | 49 % | 9 % | 39 % | 1 % |
| 72.5 % | ≈ 68′ | Tension | 54 % | 15 % | 38 % | 14 % |
| 77.5 % | ≈ 73′ | Love | 54 % | 34 % | 36 % | 34 % |
| 82.5 % | ≈ 78′ | Hope | 53 % | 40 % | 29 % | 41 % |
| 87.5 % | ≈ 82′ | Love | 56 % | 41 % | 24 % | 39 % |
| 92.5 % | ≈ 87′ | Hope | 65 % | 55 % | 20 % | 38 % |
| 97.5 % | ≈ 92′ | Hope | 72 % | 67 % | 10 % | 38 % |
Rags to riches
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Sasha
Mr. Addison
Singer / Angel
Orlando's Father
Orlando's Mother
Clorinda
Favilla
Euphrosyne
Details
- Directed by
- Sally Potter
- Written by
- Walter Donohue, Sally Potter, Virginia Woolf
- Type
- Movies
- Released
- 1992
- Runtime
- 94 min
- Country
- United Kingdom, Russia, Italy, France, Netherlands
- Ratings
- Feels mostly
- Awe
- Data updated
Where to watch
Rent
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More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.




