The Chase
1994 · 89 min · Director: Adam Rifkin
Show plot summary (may contain spoilers)
Jack Hammond is sentenced to life in prison, but manages to escape. To get away from the police he takes a girl as hostage and drives off in her car. The girl happens to be the only daughter of one of the richest men in the state. In a while the car chase is being broadcast live on every TV-channel, covering the event from helicopters, the backseat of a police car, the pavement of the highway etc.
Emotional fingerprint
The Chase (1994) — Movie. Top emotional signals: Excitement 35%, Humor 25%, Tension 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Excitement35%
- Humor25%
- Tension20%
- Joy10%
- Surprise10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Excitement, Humor, Tension. Genres: Comedy, Adventure, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Excitement, Humor and Tension. Its IMDb rating of 5.9/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 61/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Humor
- Empathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Humor
Dominant emotion: Empathy
Dominant emotion: Love
Dominant emotion: Disturbing
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Humor | Empathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Tension | 63 % | 63 % | 15 % | 20 % |
| 7.5 % | ≈ 7′ | Tension | 69 % | 69 % | 19 % | 21 % |
| 12.5 % | ≈ 11′ | Tension | 70 % | 70 % | 26 % | 21 % |
| 17.5 % | ≈ 16′ | Tension | 64 % | 61 % | 34 % | 18 % |
| 22.5 % | ≈ 20′ | Humor | 59 % | 53 % | 40 % | 18 % |
| 27.5 % | ≈ 24′ | Tension | 61 % | 56 % | 40 % | 24 % |
| 32.5 % | ≈ 29′ | Tension | 64 % | 61 % | 36 % | 29 % |
| 37.5 % | ≈ 33′ | Tension | 55 % | 50 % | 31 % | 32 % |
| 42.5 % | ≈ 38′ | Empathy | 49 % | 39 % | 26 % | 40 % |
| 47.5 % | ≈ 42′ | Empathy | 53 % | 41 % | 30 % | 44 % |
| 52.5 % | ≈ 47′ | Tension | 60 % | 52 % | 36 % | 43 % |
| 57.5 % | ≈ 51′ | Tension | 64 % | 54 % | 39 % | 45 % |
| 62.5 % | ≈ 56′ | Humor | 56 % | 38 % | 43 % | 43 % |
| 67.5 % | ≈ 60′ | Humor | 57 % | 41 % | 40 % | 31 % |
| 72.5 % | ≈ 65′ | Tension | 71 % | 65 % | 34 % | 26 % |
| 77.5 % | ≈ 69′ | Tension | 76 % | 71 % | 35 % | 39 % |
| 82.5 % | ≈ 73′ | Love | 78 % | 70 % | 34 % | 54 % |
| 87.5 % | ≈ 78′ | Tension | 74 % | 65 % | 31 % | 44 % |
| 92.5 % | ≈ 82′ | Humor | 61 % | 41 % | 28 % | 21 % |
| 97.5 % | ≈ 87′ | Disturbing | 57 % | 22 % | 17 % | 13 % |
Rags to riches
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Liam Segal
Bill Cromwell
Wendy Sorenson
Details
- Directed by
- Adam Rifkin
- Written by
- Adam Rifkin
- Type
- Movies
- Released
- 1994
- Runtime
- 89 min
- Country
- United States
- Ratings
- Feels mostly
- Excitement
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
