Fear City: A Family-Style Comedy
1994 · 100 min · Director: Alain Berbérian
Show plot summary (may contain spoilers)
Odile Deray est attaché de presse pour le film "Red is Dead". Mais au festival de Cannes, personne ne veut regarder un tel navet. Pourtant, les gens changent d'avis au moment où les projectionnistes meurent les un après les autres, assassiné par le méchant de "Red is Dead". Serge Karamazov est envoyé sur place pour protéger la victime suivante. Quelques jours plus tard, la salle est comble et même le gratin de Cannes est sur place.
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Emotional fingerprint
Fear City: A Family-Style Comedy (1994) — Movie. Top emotional signals: Humor 40%, Surprise 20%, Fear 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor40%
- Surprise20%
- Fear15%
- Excitement15%
- Joy10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Surprise, Fear. Genres: Comedy, Horror. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Surprise and Fear. Its IMDb rating of 7.5/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Relief
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Relief | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 62 % | 62 % | 10 % | 17 % |
| 7.5 % | ≈ 8′ | Humor | 56 % | 55 % | 8 % | 24 % |
| 12.5 % | ≈ 13′ | Humor | 54 % | 51 % | 3 % | 29 % |
| 17.5 % | ≈ 18′ | Humor | 57 % | 56 % | 0 % | 20 % |
| 22.5 % | ≈ 23′ | Humor | 61 % | 61 % | 0 % | 19 % |
| 27.5 % | ≈ 28′ | Humor | 63 % | 63 % | 0 % | 33 % |
| 32.5 % | ≈ 33′ | Humor | 59 % | 59 % | 0 % | 38 % |
| 37.5 % | ≈ 38′ | Humor | 56 % | 56 % | 0 % | 30 % |
| 42.5 % | ≈ 43′ | Humor | 59 % | 59 % | 1 % | 26 % |
| 47.5 % | ≈ 48′ | Humor | 60 % | 60 % | 3 % | 25 % |
| 52.5 % | ≈ 53′ | Humor | 63 % | 63 % | 1 % | 21 % |
| 57.5 % | ≈ 58′ | Humor | 69 % | 69 % | 0 % | 29 % |
| 62.5 % | ≈ 63′ | Humor | 71 % | 71 % | 0 % | 35 % |
| 67.5 % | ≈ 68′ | Humor | 66 % | 66 % | 0 % | 28 % |
| 72.5 % | ≈ 73′ | Humor | 65 % | 65 % | 0 % | 24 % |
| 77.5 % | ≈ 78′ | Humor | 69 % | 68 % | 4 % | 31 % |
| 82.5 % | ≈ 83′ | Humor | 72 % | 68 % | 20 % | 38 % |
| 87.5 % | ≈ 88′ | Humor | 74 % | 68 % | 43 % | 29 % |
| 92.5 % | ≈ 93′ | Humor | 70 % | 67 % | 53 % | 18 % |
| 97.5 % | ≈ 98′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Oedipus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Grimaldi, policeman
Susan
Maximilien
Janine
Tiffany, la secrétaire
Details
- Directed by
- Alain Berbérian
- Written by
- Alain Chabat, Dominique Farrugia, Chantal Lauby, Alain Chabat, Chantal Lauby
- Type
- Movies
- Released
- 1994
- Runtime
- 100 min
- Country
- France
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





